An approach to the audiovisual and narrative analysis of the film Rome
The article proposes an approach to the film Rome by Alfonso Cuarón starting from the description and signaling of the context of its realization, the characters involved in the plot and the settings that are shown and which serve to set the scene and give meaning to the narrative. Moreover, the art...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | Uruguay |
| Institución: | Universidad ORT Uruguay |
| Repositorio: | RAD |
| Idioma: | español |
| OAI Identifier: | oai:rad.ort.edu.uy:20.500.11968/4305 |
| Acceso en línea: | https://revistas.ort.edu.uy/inmediaciones-de-la-comunicacion/article/view/3101 http://hdl.handle.net/20.500.11968/4305 |
| Access Level: | acceso abierto |
| Palabra clave: | Rome Cuarón narrative scheme cinematographic resources audiovisualization Roma esquema narrativo recursos cinematográficos audiovisualización Roma, Cuarón, esquema narrativo, recursos cinematográficos, audiovisualização. |
| Sumario: | The article proposes an approach to the film Rome by Alfonso Cuarón starting from the description and signaling of the context of its realization, the characters involved in the plot and the settings that are shown and which serve to set the scene and give meaning to the narrative. Moreover, the article proposes an analytical development of the audiovisual procedures and the narrative mechanisms applied. In this sense, for the narrative analysis of Cuarón’s film, the semiotic concepts of the semantic field and the narrative point of view are used. |
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