From artistic engraving to reproductive engraving through a critical/analytical study of Abraham Bosse's treatise
Such is the ideological disparity between Abraham Bosse's first intaglio review (1645) and the extended revised edition by N. Ch Cochin (1745), that we can virtually speak of two different works: In order to understand the conceptual gap between the two, it is important to take into account, th...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2014 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositório: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:2445/144675 |
| Acesso em linha: | https://hdl.handle.net/2445/144675 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Gravat Engraving Bosse, Abraham, 1602-1676 |
| Resumo: | Such is the ideological disparity between Abraham Bosse's first intaglio review (1645) and the extended revised edition by N. Ch Cochin (1745), that we can virtually speak of two different works: In order to understand the conceptual gap between the two, it is important to take into account, that when the Academy of Fine Arts of Paris was founded, in the second half of the XVII century, in France there was a fundamental shift of thought regarding art education and training, and art in general |
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