Matière historique et matière théâtrale: Jeanne d’Arc au Siège d’Orléans
In the aesthetic framework of the fifteenth-century mysteries -cyclical pieces whose purpose is to materialize on the scene the great Biblical events considered as foundations of the moral and social order shared by the spectators-, Le Mystère du Siège d'Orléans (1456) contributes to the constr...
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| Formato: | artículo |
| Fecha de publicación: | 2020 |
| País: | España |
| Recursos: | Universidad Autónoma de Madrid |
| Repositorio: | Biblos-e Archivo. Repositorio Institucional de la UAM |
| Idioma: | francés |
| OAI Identifier: | oai:repositorio.uam.es:10486/693634 |
| Acesso em linha: | http://hdl.handle.net/10486/693634 https://dx.doi.org/10.25145/j.cedille.2020.17.18 |
| Access Level: | acceso abierto |
| Palavra-chave: | Historical matter Jeanne of Arc Medieval Theater Mystère du Siège d'Orléans Filología |
| Resumo: | In the aesthetic framework of the fifteenth-century mysteries -cyclical pieces whose purpose is to materialize on the scene the great Biblical events considered as foundations of the moral and social order shared by the spectators-, Le Mystère du Siège d'Orléans (1456) contributes to the construction of the character of Joan of Arc. Composed from documents and testimonies, often contradictory, which belong to a contemporary historical period of the work, it does not ignore the sacred matter, with whose help, and since the dramatic conception of the Mystère, the historical events of recent years are oriented in the construction of the memory of France. |
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