Translations for dubbing as dynamic texts

This article aims to describe how written translations of audiovisual products change along the dubbing process until they reach the audience, focusing mainly on the synchronisation stage. The corpus is made up of the first reel of the Catalan and Spanish translations of three different films releas...

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Bibliographic Details
Author: Matamala, Anna|||0000-0002-1607-9011
Format: article
Publication Date:2010
Country:España
Institution:Universitat Autònoma de Barcelona
Repository:Dipòsit Digital de Documents de la UAB
Language:English
OAI Identifier:oai:ddd.uab.cat:117063
Online Access:https://ddd.uab.cat/record/117063
https://dx.doi.org/urn:doi:10.1075/babel.56.2.01mat
Access Level:Open access
Keyword:Audiovisual translation
Dubbing
Synchronisation
Adaptation
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spelling Translations for dubbing as dynamic textsstrategies in film synchronisationMatamala, Anna|||0000-0002-1607-9011Audiovisual translationDubbingSynchronisationAdaptationThis article aims to describe how written translations of audiovisual products change along the dubbing process until they reach the audience, focusing mainly on the synchronisation stage. The corpus is made up of the first reel of the Catalan and Spanish translations of three different films released in 2006 (Casino Royale, Good night and good luck, and The Da Vinci Code). After a brief summary of the dubbing process and a short overview of the approaches to synchronisation found in the literature, the specific strategies found in a bottom-up analysis are highlighted, offering both a wide analysis of the general changes throughout the process and a closer analysis of the specific changes that occur in the synchronisation stage. A comparison of the strategies found in Catalan and Spanish is also included in order to assess whether different languages result in different strategies. 22010-01-0120102010-01-01Articlehttp://purl.org/coar/resource_type/c_6501AMhttp://purl.org/coar/version/c_ab4af688f83e57aainfo:eu-repo/semantics/articleapplication/pdfhttps://ddd.uab.cat/record/117063https://dx.doi.org/urn:doi:10.1075/babel.56.2.01matreponame:Dipòsit Digital de Documents de la UABinstname:Universitat Autònoma de BarcelonaInglésengopen accesshttp://purl.org/coar/access_right/c_abf2Aquest material està protegit per drets d'autor i/o drets afins. Podeu utilitzar aquest material en funció del que permet la legislació de drets d'autor i drets afins d'aplicació al vostre cas. Per a d'altres usos heu d'obtenir permís del(s) titular(s) de drets.https://rightsstatements.org/vocab/InC/1.0/info:eu-repo/semantics/openAccessoai:ddd.uab.cat:1170632026-06-06T12:50:31Z
dc.title.none.fl_str_mv Translations for dubbing as dynamic texts
strategies in film synchronisation
title Translations for dubbing as dynamic texts
spellingShingle Translations for dubbing as dynamic texts
Matamala, Anna|||0000-0002-1607-9011
Audiovisual translation
Dubbing
Synchronisation
Adaptation
title_short Translations for dubbing as dynamic texts
title_full Translations for dubbing as dynamic texts
title_fullStr Translations for dubbing as dynamic texts
title_full_unstemmed Translations for dubbing as dynamic texts
title_sort Translations for dubbing as dynamic texts
dc.creator.none.fl_str_mv Matamala, Anna|||0000-0002-1607-9011
author Matamala, Anna|||0000-0002-1607-9011
author_facet Matamala, Anna|||0000-0002-1607-9011
author_role author
dc.subject.none.fl_str_mv Audiovisual translation
Dubbing
Synchronisation
Adaptation
topic Audiovisual translation
Dubbing
Synchronisation
Adaptation
description This article aims to describe how written translations of audiovisual products change along the dubbing process until they reach the audience, focusing mainly on the synchronisation stage. The corpus is made up of the first reel of the Catalan and Spanish translations of three different films released in 2006 (Casino Royale, Good night and good luck, and The Da Vinci Code). After a brief summary of the dubbing process and a short overview of the approaches to synchronisation found in the literature, the specific strategies found in a bottom-up analysis are highlighted, offering both a wide analysis of the general changes throughout the process and a closer analysis of the specific changes that occur in the synchronisation stage. A comparison of the strategies found in Catalan and Spanish is also included in order to assess whether different languages result in different strategies.
publishDate 2010
dc.date.none.fl_str_mv 2
2010-01-01
2010
2010-01-01
dc.type.none.fl_str_mv Article
http://purl.org/coar/resource_type/c_6501
AM
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dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://ddd.uab.cat/record/117063
https://dx.doi.org/urn:doi:10.1075/babel.56.2.01mat
url https://ddd.uab.cat/record/117063
https://dx.doi.org/urn:doi:10.1075/babel.56.2.01mat
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
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dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:Dipòsit Digital de Documents de la UAB
instname:Universitat Autònoma de Barcelona
instname_str Universitat Autònoma de Barcelona
reponame_str Dipòsit Digital de Documents de la UAB
collection Dipòsit Digital de Documents de la UAB
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