Playing crip: the politics of disabled artists' performances in Spain

The arts and disability are still considered contradictory terms in Spain. However, over the last few years, various disabled artists have called for more opportunities for their professionalisation and for the recognition of their creative potential. The objective here is to analyse them and to ref...

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Detalhes bibliográficos
Autores: Arenas Conejo, Miriam, García-Santesmases Fernández, Andrea
Tipo de documento: artigo
Estado:Versión aceptada para publicación
Data de publicação:2017
País:España
Recursos:Universitat Oberta de Catalunya (UOC)
Repositório:O2, repositorio institucional de la UOC
OAI Identifier:oai:openaccess.uoc.edu:10609/150914
Acesso em linha:http://hdl.handle.net/10609/150914
https://doi.org/10.1080/13569783.2017.1327804
Access Level:Acceso aberto
Palavra-chave:disability
queer
culture
crip
performance
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spelling Playing crip: the politics of disabled artists' performances in SpainArenas Conejo, MiriamGarcía-Santesmases Fernández, AndreadisabilityqueerculturedisabilitycripperformanceThe arts and disability are still considered contradictory terms in Spain. However, over the last few years, various disabled artists have called for more opportunities for their professionalisation and for the recognition of their creative potential. The objective here is to analyse them and to reflect on their artistic and political contributions to the representation of disability. These projects represent a challenge to conventional codes by positioning corporal diversity at the centre of the creative process. They play with cultural notions of functionality and capacity as well as beauty and desirability, challenging the concept of disability as a fixed reality.Taylor & Francis202420242017info:eu-repo/semantics/articleinfo:eu-repo/semantics/acceptedVersionapplication/pdfapplication/pdfhttp://hdl.handle.net/10609/150914https://doi.org/10.1080/13569783.2017.1327804reponame:O2, repositorio institucional de la UOCinstname:Universitat Oberta de Catalunya (UOC)InglésResearch in Drama Education, 2017, 22(3)https://doi.org/10.1080/13569783.2017.1327804CC BY-NC-NDhttp://creativecommons.org/licenses/by-nc-nd/.0/es/info:eu-repo/semantics/openAccessoai:openaccess.uoc.edu:10609/1509142026-05-28T12:42:01Z
dc.title.none.fl_str_mv Playing crip: the politics of disabled artists' performances in Spain
title Playing crip: the politics of disabled artists' performances in Spain
spellingShingle Playing crip: the politics of disabled artists' performances in Spain
Arenas Conejo, Miriam
disability
queer
culture
disability
crip
performance
title_short Playing crip: the politics of disabled artists' performances in Spain
title_full Playing crip: the politics of disabled artists' performances in Spain
title_fullStr Playing crip: the politics of disabled artists' performances in Spain
title_full_unstemmed Playing crip: the politics of disabled artists' performances in Spain
title_sort Playing crip: the politics of disabled artists' performances in Spain
dc.creator.none.fl_str_mv Arenas Conejo, Miriam
García-Santesmases Fernández, Andrea
author Arenas Conejo, Miriam
author_facet Arenas Conejo, Miriam
García-Santesmases Fernández, Andrea
author_role author
author2 García-Santesmases Fernández, Andrea
author2_role author
dc.subject.none.fl_str_mv disability
queer
culture
disability
crip
performance
topic disability
queer
culture
disability
crip
performance
description The arts and disability are still considered contradictory terms in Spain. However, over the last few years, various disabled artists have called for more opportunities for their professionalisation and for the recognition of their creative potential. The objective here is to analyse them and to reflect on their artistic and political contributions to the representation of disability. These projects represent a challenge to conventional codes by positioning corporal diversity at the centre of the creative process. They play with cultural notions of functionality and capacity as well as beauty and desirability, challenging the concept of disability as a fixed reality.
publishDate 2017
dc.date.none.fl_str_mv 2017
2024
2024
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/acceptedVersion
format article
status_str acceptedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/10609/150914
https://doi.org/10.1080/13569783.2017.1327804
url http://hdl.handle.net/10609/150914
https://doi.org/10.1080/13569783.2017.1327804
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Research in Drama Education, 2017, 22(3)
https://doi.org/10.1080/13569783.2017.1327804
dc.rights.none.fl_str_mv CC BY-NC-ND
http://creativecommons.org/licenses/by-nc-nd/.0/es/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv CC BY-NC-ND
http://creativecommons.org/licenses/by-nc-nd/.0/es/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
dc.source.none.fl_str_mv reponame:O2, repositorio institucional de la UOC
instname:Universitat Oberta de Catalunya (UOC)
instname_str Universitat Oberta de Catalunya (UOC)
reponame_str O2, repositorio institucional de la UOC
collection O2, repositorio institucional de la UOC
repository.name.fl_str_mv
repository.mail.fl_str_mv
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