Antonio Alvares de Azevedo: fractura la voz poética masculina durante la conformación de la nación en Latinoamérica (Dossier Seis miradas al cuerpo y al deseo de una poética latinoamericana desde hace cinco siglos)

In the times of the formation and consolidation of Latin American nations, literary fiction constituted a stage in which many of the political processes that then took place were represented. In this frame, poets had to fulfill a determined and excluding role, implanted from the times of the Conques...

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Detalles Bibliográficos
Autor: Artieda Santacruz, Pedro
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2017
País:Ecuador
Institución:Universidad Andina Simón Bolivar
Repositorio:Repositorio Universidad Andina Simón Bolivar
Idioma:español
OAI Identifier:oai:repositorio.uasb.edu.ec:10644/7300
Acceso en línea:http://hdl.handle.net/10644/7300
Access Level:acceso abierto
Palabra clave:MARTÍ, JOSÉ, 1853-1895
ÁLVARES DE AZEVEDO, MANUEL ANTONIO, 1831-1852
POESÍA LATINOAMERICANA
HOMOSEXUALIDAD
MACHISMO
CRÍTICA LITERARIA
Descripción
Sumario:In the times of the formation and consolidation of Latin American nations, literary fiction constituted a stage in which many of the political processes that then took place were represented. In this frame, poets had to fulfill a determined and excluding role, implanted from the times of the Conquest, under a binary sexuality. The respected great father of the Latin American homeland, José Martí, was undoubtedly that heroic voice, brave and manly, that fit with those expected molds. Nevertheless, other authors such as the Brazilian Antonio Alvares de Azevedo, decided to fracture that hegemony and weaken the male model. In the midst of their melancholy, they staged a much more intimate and sensual poetry. Much more feminine.