Antonio Alvares de Azevedo: fractures the masculine poetic voice during the conformation of the nation in Latin America
In the times of the formation and consolidation of Latin American nations, literary fiction constituted a stage in which many of the political processes that then took place were represented. In this frame, poets had to fulfill a determined and excluding role, implanted from the times of the Conques...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2017 |
| País: | Ecuador |
| Institución: | Universidad Andina Simón Bolivar |
| Repositorio: | Revista Andina de Letras y Estudios Culturales |
| Idioma: | español |
| OAI Identifier: | oai:revistas.uasb.edu.ec:article/907 |
| Acceso en línea: | https://revistas.uasb.edu.ec/index.php/kipus/article/view/907 |
| Access Level: | acceso abierto |
| Palabra clave: | José Martí Alvares de Azevedo binarismo sexual masculino femenino discriminación machismo sodomía homosexualidad poseía nación sexual binarism masculine femenine discrimination sodomy homosexuality poerty nation |
| Sumario: | In the times of the formation and consolidation of Latin American nations, literary fiction constituted a stage in which many of the political processes that then took place were represented. In this frame, poets had to fulfill a determined and excluding role, implanted from the times of the Conquest, under a binary sexuality. The respected great father of the Latin American homeland, José Martí, was undoubtedly that heroic voice, brave and manly, that fit with those expected molds. Nevertheless, other authors such as the Brazilian Antonio Alvares de Azevedo, decided to fracture that hegemony and weaken the male model. In the midst of their melancholy, they staged a much more intimate and sensual poetry. Much more feminine. |
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