A MIDWIFE AND THE DIRECTOR: SIMILAR ROLE BETWEEM THE CHILDBIRTH AND THE CRIATIVE PROCESS IN THE BPI METHOD
The article is based on an ongoing research and focuses on peculiarities of the relationship between director and performer in the Bailarino-Pesquisador-Intérprete methodology (Dancer-Researcher-Performer – BPI). To this end, we work with the midwife trade as an analogy for the role of the director....
| Authors: | , |
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2014 |
| Country: | Brasil |
| Institution: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repository: | Revista Cena (Online) |
| Language: | Portuguese |
| OAI Identifier: | oai:seer.ufrgs.br:article/48179 |
| Online Access: | https://seer.ufrgs.br/index.php/cena/article/view/48179 |
| Access Level: | Open access |
| Keyword: | Dancer-research-interpreter Director-performer relationship Traditional midwives Creative process. Bailarino-Pesquisador-Intérprete. Relação diretora-intérprete. Parteiras Tradicionais. Processo Criativo. |
| Summary: | The article is based on an ongoing research and focuses on peculiarities of the relationship between director and performer in the Bailarino-Pesquisador-Intérprete methodology (Dancer-Researcher-Performer – BPI). To this end, we work with the midwife trade as an analogy for the role of the director. One of the activities included in the methodology chosen for the research was to conduct fieldwork among traditional midwives in a Pankararu indigenous community. The purpose of it was to further analyze the aforementioned analogy. Much of what was experienced among the midwives may be helpful in further assessing the nature of the creative process in the BPI methodology. |
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