Deslocamentos do eu e tensões entre corpo e poesia em Alejandra Pizarnik e Ana Cristina Cesar
This paper investigates the poetry of Alejandra Pizarnik and Ana Cristina Cesar, seeking to capture ways in which poetic selves are displaced between the body and the poem. It discusses procedures employed by the authors that reinvent experiences of the subject, the world and the word, that think ab...
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| Tipo de recurso: | tesis de maestría |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Brasil |
| Institución: | Pontifícia Universidade Católica de São Paulo (PUC-SP) |
| Repositorio: | Repositório Institucional da PUC_SP |
| Idioma: | portugués |
| OAI Identifier: | oai:repositorio.pucsp.br:handle/45037 |
| Acceso en línea: | https://repositorio.pucsp.br/jspui/handle/handle/45037 |
| Access Level: | acceso abierto |
| Palabra clave: | CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS::TEORIA LITERARIA Alejandra Pizarnik Ana Cristina Cesar Poesia moderna Deslocamentos Corpo Eu poético Modern poetry Displacements Body Poetic self |
| Sumario: | This paper investigates the poetry of Alejandra Pizarnik and Ana Cristina Cesar, seeking to capture ways in which poetic selves are displaced between the body and the poem. It discusses procedures employed by the authors that reinvent experiences of the subject, the world and the word, that think about the body-language relationship and tension it. It also poses the following questions: How does the treatment of words by these authors evoke the body of the poetic self? Based on these questions, we examine how the body is handled in various contexts of poetic works, whether through erasure, duplication, death, fragmentation or the experience of looking. Our hypothesis is that the poets strive to overcome the body in very unique ways, which mark the history of poetry. The theoretical-critical foundation draws on names from literature and philosophy such as Marcos Siscar, Annita Costa Malufe, Flora Sussekind, Cristina Piña and Carolina Depetris, Blanchot, Derrida and Barthes. For the methodology, bibliographical analysis was combined with the close reading method for the specific poems chosen |
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