Between modernity and tradition: disputes between SPHAN and the progressive ideals of the first half of the 20th century
This article is an analysis about the thin line between the progress idea – popular at the beginning of the 20th century – in opposition to the preservationist ideas that grew stronger in Brazil at the same period. At the core of this debate is SPHAN - National Historic and Artistic Heritage Institu...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | Brasil |
| Institución: | Universidade Estadual de Campinas (UNICAMP) |
| Repositorio: | Resgate (Online) |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.periodicos.sbu.unicamp.br:article/8673890 |
| Acceso en línea: | https://periodicos.sbu.unicamp.br/ojs/index.php/resgate/article/view/8673890 |
| Access Level: | acceso abierto |
| Palabra clave: | Sphan Preservation Modernity Progress Preservação Modernidade Progresso Preservación Modernidad Progreso |
| Sumario: | This article is an analysis about the thin line between the progress idea – popular at the beginning of the 20th century – in opposition to the preservationist ideas that grew stronger in Brazil at the same period. At the core of this debate is SPHAN - National Historic and Artistic Heritage Institute – created in 1936 and responsible for the preservationist practices in this period. By analyzing journals and headlines from 1940 to 1960, I aimed to understand how such disputes evolved socially and how the institute, representative of a nationalist politics, balanced modern and traditional. |
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