Cine Real: ethnography of a movie theater for workers
Social and cultural consumption of film products still is rarely studied by Brazilian researchers, creating a significant gap on the importance of “going to the movie theater”, especially in the case of subordinate social groups. The study uses the features and concepts proposed by the autoethnograp...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Brasil |
| Recursos: | Pontifícia Universidade Católica do Rio Grande do Sul (PUCRS) |
| Repositorio: | Revista FAMECOS: Mídia cultura e tecnologia |
| Idioma: | portugués |
| OAI Identifier: | oai:ojs.revistaseletronicas.pucrs.br:article/19301 |
| Acesso em linha: | https://revistaseletronicas.pucrs.br/revistafamecos/article/view/19301 |
| Access Level: | acceso abierto |
| Palavra-chave: | Autoethnography Movie Theater Workers Autoetnografía Salas de cine Trabajadores autoetnografia salas de cinema trabalhadores antropologia da comunicação |
| Resumo: | Social and cultural consumption of film products still is rarely studied by Brazilian researchers, creating a significant gap on the importance of “going to the movie theater”, especially in the case of subordinate social groups. The study uses the features and concepts proposed by the autoethnography, and the data analyzed were collected through an extensive series of dialogues, face-to-face meeting or computermediated, fought between five individuals who, accompanied by their families, attended during the decade of 1960 the Cine Real, located in the municipality of São Caetano do Sul, São Paulo State. Weekly frequency to the movie theater resulted in a set of cultural and aesthetic experiences that stirred the daily lives of working families and left significant marks in the life trajectory of the group members who collaborated with the research. |
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