A ditadura militar revisitada de 10 em 10 anos através de imagens: as fotografias de arquivo e a urdidura das reportagens de rememoração
Since photographic document always bears the marks of a given universe imagined, subject to fi ctionality inherent in all assemblies plot as an act, the purpose of this article is to analyze the photographs archival materials disclosed in remembrance of the Brazilian military dictatorship in the mag...
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| Tipo de documento: | artigo |
| Estado: | Versão publicada |
| Data de publicação: | 2014 |
| País: | Brasil |
| Recursos: | Universidade Estadual Paulista (UNESP) |
| Repositório: | Repositório Institucional da UNESP |
| Idioma: | português |
| OAI Identifier: | oai:repositorio.unesp.br:11449/135503 |
| Acesso em linha: | http://dx.doi.org/10.5007/1984-6924.2014v11n1p177 http://hdl.handle.net/11449/135503 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Photography Reportage Military Coup Fotografia Reportagem Golpe Militar |
| Resumo: | Since photographic document always bears the marks of a given universe imagined, subject to fi ctionality inherent in all assemblies plot as an act, the purpose of this article is to analyze the photographs archival materials disclosed in remembrance of the Brazilian military dictatorship in the magazine Veja, published in the decennial anniversaries of the 1964 coup, from the methodological assumptions of the rhetoric of image. If, in some cases, archival photographs reinforced the argument of the report, in others, they created a parallel narrative, framing the present through an interpreted past. |
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