Èmí, Ofò, Asé: Elinga and the dance of the Mulheres do Àse
The present study aims to discuss the notion of scenic presence based on the use of principles from African-diasporic cultural practices. The reflections presented emerge from the intersection between the development of postdoctoral research entitled Elinga and the performance Mulheres do Àse. It pr...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Brasil |
| Institución: | Universidade Federal do Rio Grande do Sul (UFRGS) |
| Repositorio: | Revista Brasileira de Estudos da Presença |
| Idioma: | inglés |
| OAI Identifier: | oai:seer.ufrgs.br:article/102200 |
| Acceso en línea: | https://seer.ufrgs.br/index.php/presenca/article/view/102200 |
| Access Level: | acceso abierto |
| Palabra clave: | Ancestry Decoloniality African Diaspor . Scenic Presence Elinga Presença Cênica e Praticas Performativas Afrodiaspóricas |
| Sumario: | The present study aims to discuss the notion of scenic presence based on the use of principles from African-diasporic cultural practices. The reflections presented emerge from the intersection between the development of postdoctoral research entitled Elinga and the performance Mulheres do Àse. It presents itself as discursive and structural basis the foundations of the Yoruba cosmogony èmí (breath of life), ofó (enchantment) and asé (vital energy) in dialogue with the concepts body-file, body-weapon, decoloniality, ritualization of the moment and scenic presence. |
|---|