Soldiery in the Poetry of Viel Temperley: Love, Ideals and Feasible Masculinity

According to critics, Viel Temperley is an Argentine mystical poet, but here we address a different facet, operative in relation to subjective representation and the encoding of a worldview: the iteration of military figurations, especially those of the soldier and its variants, in texts, paratexts...

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Detalhes bibliográficos
Autor: Arancet Ruda, María Amelia
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2023
País:Perú
Recursos:Pontificia Universidad Católica del Perú
Repositorio:Revistas - Pontificia Universidad Católica del Perú
Idioma:español
OAI Identifier:oai:ojs.pkp.sfu.ca:article/27972
Acesso em linha:http://revistas.pucp.edu.pe/index.php/lexis/article/view/27972
Access Level:acceso abierto
Palavra-chave:Soldadesca
Historia bélica
Masculinidad
Amor
Soldiery
War history
Masculinity
Love
Descrição
Resumo:According to critics, Viel Temperley is an Argentine mystical poet, but here we address a different facet, operative in relation to subjective representation and the encoding of a worldview: the iteration of military figurations, especially those of the soldier and its variants, in texts, paratexts and epitexts —the latter, crucial in this work to validate the explored inclination, also supported by extraliterary documents—. There is a multivocal repertoire of soldiery themes, deeply rooted in Argentine history and, furthermore, associated with the masculine imaginary of a particular era. This repertoire constructs the masculine self, but according to a subverted and destabilizing version, which ranges from love to heroism, even to the freedom of poetry. Due to this anti-system dissent, the figure of Juan Lavalle, dear to our author, is a kind of double in several compositions, and it sheds light on some of the meanings that soldiery acquires in Viel’s work.