Simbólicas: The female-chromatic bond in Eguren
In this article, we focus on the poems «Ananké», «La dama i», «Diosa ambarina», «La Walkyria» and «Syhna la Blanca», from the collection Simbólicas, by José María Eguren, in order to discuss certain qualities that are present in the feminine universe. The characterization lent to these female charac...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2020 |
| País: | Perú |
| Recursos: | Universidad Científica del Sur |
| Repositorio: | Revistas - Universidad Científica del Sur |
| Idioma: | español |
| OAI Identifier: | oai:revistas.cientifica.edu.pe:article/589 |
| Acesso em linha: | https://revistas.cientifica.edu.pe/index.php/desdeelsur/article/view/589 |
| Access Level: | acceso abierto |
| Palavra-chave: | José María Eguren Simbólicas Simbolismo Cromática Femenino Symbolism Chromatic Female |
| Resumo: | In this article, we focus on the poems «Ananké», «La dama i», «Diosa ambarina», «La Walkyria» and «Syhna la Blanca», from the collection Simbólicas, by José María Eguren, in order to discuss certain qualities that are present in the feminine universe. The characterization lent to these female characters is filled with colors, through which their inner and outer selves are described, as well as their surroundings. In this way, the poetic aesthetic of Eguren teaches us that the use of symbols serves to demonstrate the inadequacy of words and language in the conveying of traits and ideas. |
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