Un mapa de la conquista de la Nueva España: El "Lienzo de Tlaxcala"

The aim of this paper is to analyze the Lienzo de Tlaxcala, a sixteenth-century document, taking into consideration the different publics to which it was targeted. One version of this document was sent to the Spanish crown, where it was inserted in the European courtesan tradition of wall decoration...

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Detalles Bibliográficos
Autores: Navarrete Linares, Federico, Jaramillo Arango, Antonio, Cossich Vielman, Margarita
Tipo de recurso: artículo
Estado:Versión publicada
Fecha de publicación:2021
País:México
Institución:Universidad Nacional Autónoma de México
Repositorio:Repositorio Institucional del Instituto de Investigaciones Históricas, UNAM
Idioma:español
OAI Identifier:oai:ru.historicas.unam.mx:20.500.12525/1202
Acceso en línea:http://hdl.handle.net/20.500.12525/1202
Access Level:acceso abierto
Palabra clave:CIENCIAS SOCIALES::HISTORIA
Mesoamerica
war
allies
sixteenth-century
pictography
gobelin tapestry
Lienzo de Tlaxcala
Descripción
Sumario:The aim of this paper is to analyze the Lienzo de Tlaxcala, a sixteenth-century document, taking into consideration the different publics to which it was targeted. One version of this document was sent to the Spanish crown, where it was inserted in the European courtesan tradition of wall decoration with gobelin tapestries exalting the monarchy military and religious victories. In this context, the Lienzo de Tlaxcala worked as a conquest tapestry. At the same time, if we take into account the visual structure of the document, the location of some of the key places in it, and the comparison with some 18th century texts, we can propose that the Lienzo was interpreted as a map by Mesoamerican readers. Hence, the Lienzo de Tlaxcala could be considered as both a conquest tapestry and a map, depending on the public and on the reading and interpretation parameters that were applied. The Lienzo narrative allowed the inhabitants of Tlaxcala to claim and protect their rights within the Spanish legal system. It was in these circumstances that they also produced several genealogic documents that linked the protagonists of the Mesoamerican wars and alliances between 1519 and 1541 with their sixteenth, seventeenth and eighteenth centuries’ descendants. These are all part of what we can call an Indigenous social memory of the conquest, and its own archive, parallel to that of Western culture.