National stereotypes as means in two commercial comedies: Guten tag, Ramón and Perdiendo el Norte
Cinema participates in the spreading of national stereotypes that shape part of our perception of the otherness. Guten tag, Ramón (Ramírez-Suárez, 2014) and Perdiendo el Norte (Velilla, 2015) are two popular comedies, Mexican for the first one and Spanish for the second, which narrate different case...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2018 |
| País: | México |
| Recursos: | UNIVERSIDAD DE GUADALAJARA |
| Repositorio: | Comunicación y Sociedad |
| Idioma: | español inglés |
| OAI Identifier: | oai:comunicacionysociedad.cucsh.udg.mx:article/6942 |
| Acesso em linha: | https://www.comunicacionysociedad.cucsh.udg.mx/index.php/comsoc/article/view/6942 |
| Access Level: | acceso abierto |
| Palavra-chave: | National stereotypes box-office comedies migrations otherness comicality Estereotipos nacionales comedias taquilleras migraciones alteridad comicidad |
| Resumo: | Cinema participates in the spreading of national stereotypes that shape part of our perception of the otherness. Guten tag, Ramón (Ramírez-Suárez, 2014) and Perdiendo el Norte (Velilla, 2015) are two popular comedies, Mexican for the first one and Spanish for the second, which narrate different cases of migration to Germany, providing various stereotypes of this country and its inhabitants with diverse purposes. |
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