A Glimpse into the Conventual Cloister of Actopan Twentieth Century

Through a photograph preserved at the National Archive of Photography in Pachuca (state of Hidalgo), this work recreates a specific area of the Augustinian convent of Actopan (also in Hidalgo). As it proposes a kind of virtual reconstruction, it also situates, within Mexican time and space, several...

ver descrição completa

Detalhes bibliográficos
Autor: Martínez Guzmán, Juan Carlos
Tipo de documento: artigo
Estado:Versão publicada
Data de publicação:2023
País:México
Recursos:UNIVERSIDAD NACIONAL AUTÓNOMA DE MÉXICO
Repositório:Estudios de Historia Moderna y Contemporánea de México
Idioma:espanhol
OAI Identifier:oai:ojs.pkp.sfu.ca:article/77828
Acesso em linha:https://moderna.historicas.unam.mx/index.php/ehm/article/view/77828
Access Level:Acceso aberto
Palavra-chave:conventos
arquitectura
claustro
fotografía
iluminación
convents
architecture
cloister
photography
lighting
Descrição
Resumo:Through a photograph preserved at the National Archive of Photography in Pachuca (state of Hidalgo), this work recreates a specific area of the Augustinian convent of Actopan (also in Hidalgo). As it proposes a kind of virtual reconstruction, it also situates, within Mexican time and space, several institutions in charge of creating this kind of photographic images, fundamental for the recording of Mexican heritage, and produced mainly with view cameras. This is a work of hybrid characteristics. On one hand, it contextualizes novo-Hispanic monastic buildings in relation to the different historical stages that they were part of; on the other, it provides the necessary context for a photograph as a primary source. Because the study is closely related to architecture of the viceroyalty, Guillermo Kahlo is mentioned frequently. He is a celebrated individual who allows us to go deeper into the subject of Mexican monument records, a practice which started consolidating from the time of Porfirio Díaz' presidency. This is a text which combines architectural and photographic heritage. Thus, it concludes with a sequence of images obtained from a visual inspection on site and manipulated on a screen, with the help of specialized computer programs.