3 exposiciones, 2 comisarios y 1 museo: Kevin Roche John Dinkeloo and Associates a través del MoMA, NYC
In the 1960s and 1970s, the Kevin Roche John Dinkeloo and Associates had a great repercussion in the international architecture scene. The three MoMA exhibitions the firm participated in, constituting the guiding thread of this article, attests to that. Through detailed analysis of these three shows...
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Institución: | Universidad de Navarra |
| Repositorio: | Dadun. Depósito Académico Digital de la Universidad de Navarra |
| Idioma: | español |
| OAI Identifier: | oai:dadun.unav.edu:10171/60781 |
| Acceso en línea: | https://hdl.handle.net/10171/60781 |
| Access Level: | acceso abierto |
| Palabra clave: | Estados Unidos comisariado arquitectura moderna Arthur Drexler Ludwig Glaeser |
| Sumario: | In the 1960s and 1970s, the Kevin Roche John Dinkeloo and Associates had a great repercussion in the international architecture scene. The three MoMA exhibitions the firm participated in, constituting the guiding thread of this article, attests to that. Through detailed analysis of these three shows I wish to demonstrate how important architecture exhibitions are as sources in research, representing, as they do, the times in which they were held, and serving as a thermometer of the discussions of the period. The objective here is to reconstruct the theoretical framework into which the museum exhibited the work of KRJDA, and the process of connecting the firm to the debates and professionals of the particular moments. |
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