Borges translations of German WWI poetry-Spanish expressionism?

During his first stay in Geneva from 1914 to 1919, a very young Jorge Luis Borges enthusiastically engaged himself in learning the German language and reading widely on German authors. It was in the 1920s, at a time when the Hispanic image of Germany was still shaped by the romantic poetry of Goethe...

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Author: García Romero, Rocío
Format: article
Publication Date:2021
Country:España
Institution:Universitat Autònoma de Barcelona
Repository:Dipòsit Digital de Documents de la UAB
Language:English
OAI Identifier:oai:ddd.uab.cat:250982
Online Access:https://ddd.uab.cat/record/250982
Access Level:Open access
Keyword:Poetry translation
War poetry
Expressionism
Ultraism
Jorge Luis Borges
Traducción poética
Poesía de guerra
Expresionismo
Ultraísmo
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spelling Borges translations of German WWI poetry-Spanish expressionism?Las traducciones de Borges de poemas alemanes de la primera guerra mundialGarcía Romero, RocíoPoetry translationWar poetryExpressionismUltraismJorge Luis BorgesTraducción poéticaPoesía de guerraExpresionismoUltraísmoDuring his first stay in Geneva from 1914 to 1919, a very young Jorge Luis Borges enthusiastically engaged himself in learning the German language and reading widely on German authors. It was in the 1920s, at a time when the Hispanic image of Germany was still shaped by the romantic poetry of Goethe, Hölderlin, and Novalis, when Borges began translating and publishing German Expressionist poems in the Spanish avant-garde journals Grecia, Ultra and Cervantes. This close analysis of three First World War poems (Ernst Stadtler's 'Der Aufbruch', Kurt Heynicke's 'Hinter der Front' and Wilhelm Klemm's 'Schlacht an der Marne') will focus on the transmission of content, intent and style, which will further reveal the extent to which the Argentinian author assimilated Expressionism and made it closer to the Spanish Ultraist movement of the time.Durante su primera estancia en Ginebra entre 1914 y 1919, un jovencísimo Jorge Luis Borges se dedicó con entusiasmo a aprender alemán y a leer un buen número de autores alemanes. En la década de 1920, unos años en que la imagen hispana de Alemania seguía marcada por la poesía romántica de Goethe, Hölderlin y Novalis, Borges comenzó a traducir y publicar poemas expresionistas alemanes en las revistas españolas de vanguardia Grecia, Ultra y Cervantes. Este análisis minucioso de tres poemas de la primera guerra mundial («Der Aufbruch» de Ernst Stadtler, «Hinter der Front» de Kurt Heynicke y «Schlacht an der Marne» de Wilhelm Klemm) se centra en la transmisión del contenido, la intención y el estilo; y revela además hasta qué punto el autor argentino asimiló el expresionismo y lo acercó al movimiento ultraísta español de la época. 22021-01-0120212021-01-01Articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfhttps://ddd.uab.cat/record/250982reponame:Dipòsit Digital de Documents de la UABinstname:Universitat Autònoma de BarcelonaInglésengopen accesshttp://purl.org/coar/access_right/c_abf2Aquest material està protegit per drets d'autor i/o drets afins. Podeu utilitzar aquest material en funció del que permet la legislació de drets d'autor i drets afins d'aplicació al vostre cas. Per a d'altres usos heu d'obtenir permís del(s) titular(s) de drets.https://rightsstatements.org/vocab/InC/1.0/info:eu-repo/semantics/openAccessoai:ddd.uab.cat:2509822026-06-06T12:50:31Z
dc.title.none.fl_str_mv Borges translations of German WWI poetry-Spanish expressionism?
Las traducciones de Borges de poemas alemanes de la primera guerra mundial
title Borges translations of German WWI poetry-Spanish expressionism?
spellingShingle Borges translations of German WWI poetry-Spanish expressionism?
García Romero, Rocío
Poetry translation
War poetry
Expressionism
Ultraism
Jorge Luis Borges
Traducción poética
Poesía de guerra
Expresionismo
Ultraísmo
title_short Borges translations of German WWI poetry-Spanish expressionism?
title_full Borges translations of German WWI poetry-Spanish expressionism?
title_fullStr Borges translations of German WWI poetry-Spanish expressionism?
title_full_unstemmed Borges translations of German WWI poetry-Spanish expressionism?
title_sort Borges translations of German WWI poetry-Spanish expressionism?
dc.creator.none.fl_str_mv García Romero, Rocío
author García Romero, Rocío
author_facet García Romero, Rocío
author_role author
dc.subject.none.fl_str_mv Poetry translation
War poetry
Expressionism
Ultraism
Jorge Luis Borges
Traducción poética
Poesía de guerra
Expresionismo
Ultraísmo
topic Poetry translation
War poetry
Expressionism
Ultraism
Jorge Luis Borges
Traducción poética
Poesía de guerra
Expresionismo
Ultraísmo
description During his first stay in Geneva from 1914 to 1919, a very young Jorge Luis Borges enthusiastically engaged himself in learning the German language and reading widely on German authors. It was in the 1920s, at a time when the Hispanic image of Germany was still shaped by the romantic poetry of Goethe, Hölderlin, and Novalis, when Borges began translating and publishing German Expressionist poems in the Spanish avant-garde journals Grecia, Ultra and Cervantes. This close analysis of three First World War poems (Ernst Stadtler's 'Der Aufbruch', Kurt Heynicke's 'Hinter der Front' and Wilhelm Klemm's 'Schlacht an der Marne') will focus on the transmission of content, intent and style, which will further reveal the extent to which the Argentinian author assimilated Expressionism and made it closer to the Spanish Ultraist movement of the time.
publishDate 2021
dc.date.none.fl_str_mv 2
2021-01-01
2021
2021-01-01
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http://purl.org/coar/resource_type/c_6501
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