Más allá del dibujo: autopsias críticas de un Partenón estallado
[EN] The countless number of drawings of the Parthenon made during the last five centuries constitutes a bursting memory of the history of its constructions, destructions and reconstructions. It allows a partial and fragmentary interpretation of the multiple physical and narrative qualities of this...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/184478 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/184478 |
| Access Level: | acceso abierto |
| Palabra clave: | Partenón estallado Dibujo Autopsia Expolio Fragmentación Bursted Parthenon Drawing Autopsy Looting Fragmentation |
| Sumario: | [EN] The countless number of drawings of the Parthenon made during the last five centuries constitutes a bursting memory of the history of its constructions, destructions and reconstructions. It allows a partial and fragmentary interpretation of the multiple physical and narrative qualities of this architecture both in space and time. The analysis of these series of images as isolated objects implies the risk of their idealization as works of art and also a chronological freezing that would obstruct their power beyond their nature as documents. By contrast, bringing them into dialogue gives way to their vibration reflected either by the dynamism or the flexibility inherent to the architectural ensemble they signify. This text involves a critical perspective and enables a debate focused on the rights and practices adopted by the politics over a planet that is built through transversal approaches between art, culture, and knowledge. |
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