Glimpses of Alvar Aalto in the opera prima of Antonio Fernández Alba (1959-62)

[EN] Antonio Fernández Alba’s work of the nineteen-sixties has been described fundamentally as ‘organic’, alluding to its consonances with the architecture of Alvar Aalto. This text examines the reading that Fernández Alba presented about the culture of Finnish architecture in several writings publi...

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Detalhes bibliográficos
Autor: Pérez-Moreno, Lucía C.
Tipo de documento: artigo
Data de publicação:2018
País:España
Recursos:Universitat Politècnica de València (UPV)
Repositório:RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia
Idioma:espanhol
inglês
OAI Identifier:oai:riunet.upv.es:10251/103546
Acesso em linha:https://riunet.upv.es/handle/10251/103546
Access Level:Acceso aberto
Palavra-chave:Educación
Género
Bruno Zevi
Arquitectura española
Education
Gender
Spanish architecture
Descrição
Resumo:[EN] Antonio Fernández Alba’s work of the nineteen-sixties has been described fundamentally as ‘organic’, alluding to its consonances with the architecture of Alvar Aalto. This text examines the reading that Fernández Alba presented about the culture of Finnish architecture in several writings published in the Madrid journal Arquitectura, among which the essay “Human and Aesthetic values in Finnish Design” published in 1962 stands out. Reflections presented in this text were manifested in his design for the School of Nuestra Señora Santa María in Madrid, a project in which Fernández Alba was working at that time. Whilst remaining true to the requirements of a Catholic girl’s school, Fernández Alba’s project shows his interest in designing an architecture conducive to play, connected with the surrounding nature, not governed by preconceived forms, sympathetic in its choice of materials, and free in the use and enjoyment of its facilities. In short, an architectural design that considered the psychophysical needs of the female students and teachers, so that a ‘humanized architecture’ emerged, alluding to the well-known essay by Aalto written in 1940.