Reelaborando la perspectiva sobre la identidad dominicana: la negritud en la poesía de Aída Cartagena Portalatín
[EN] In 1941 the Dominican poet Aída Cartagena Portalatín has the opportunity tomeet the surrealist poet André Breton. This, recently arrived in Santo Domingo after having been in Martinique, will speak to her and the other members of the poetic group of Poesía Sorprendida of an extraordinary poet,...
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2024 |
| País: | España |
| Institución: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/370744 |
| Acceso en línea: | http://hdl.handle.net/10261/370744 |
| Access Level: | acceso abierto |
| Palabra clave: | Dominican poetry Blackness Caribbean literature Diaspora and identity Poesía dominicana Negritud Literatura del Caribe Diáspora e identidad |
| Sumario: | [EN] In 1941 the Dominican poet Aída Cartagena Portalatín has the opportunity tomeet the surrealist poet André Breton. This, recently arrived in Santo Domingo after having been in Martinique, will speak to her and the other members of the poetic group of Poesía Sorprendida of an extraordinary poet, Aimé Césaire, and the poetry of thenégritude. Years later, Cartagena Portalatín would re-member this meeting as 'unforgettable'. This paper proposes an analysis of the elements related to blackness that Cartagena Portalatín reworks in his poetry from 1961. The results of this analysis will offer an interpretation of the relationship that the poet maintained with blackness in relation to the Dominican cultural and ideological context of the twentieth century. |
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