Vinum vivat! La uva y el vino en la Antigüedad a través de los paneles que Sorolla pintó para Rafael Errázuriz: La Vendimia y La Prensa de la Vid
[EN] The present paper studies how grape harvesting and wine production were developed in ancient times from a set of panels made by the Valencian painter, Joaquín Sorolla Bastida. This series of four large-format paintings commissioned by the wine entrepreneur Rafael Errázuriz, reflect the differen...
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| Tipo de recurso: | capítulo de libro |
| Fecha de publicación: | 2022 |
| País: | España |
| Institución: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/184705 |
| Acceso en línea: | https://riunet.upv.es/handle/10251/184705 |
| Access Level: | acceso abierto |
| Palabra clave: | Joaquín Sorolla Vino Vendimia Prensa Rafael Errázuriz Paneles Antigüedad Clásica Arqueología Clásica Wine Vintage Panels Vine Press Classical Antiquity Classical Archeology |
| Sumario: | [EN] The present paper studies how grape harvesting and wine production were developed in ancient times from a set of panels made by the Valencian painter, Joaquín Sorolla Bastida. This series of four large-format paintings commissioned by the wine entrepreneur Rafael Errázuriz, reflect the different conceptions of this food in the Greco-Latin world, from its cultivation in the interiors of domus, to the consumption of wine in the festivities associated with Baco. The pressing system following the Minoan press model and the storage of the precious liquid in a Dressel amphora provide a careful study of real archaeological references when composing the scenes. Especially in La Vendimia and La Prensa de la Vid where the painter approached in a very exact way two images that perfectly reflect how the wine production procedures were in the Ancient Mediterranean. |
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