Écfrasis como análisis visual según W. J. T. Mitchell: Still Life / Style Leaf de Mónica Bengoa
[EN] This research aims to prove the usefulness and relevance of the use of ekphrasis in the analysis of contemporary visual works that encompass the relationship between image and text, through the study of W. J. T. Mitchell s (1942) theories of image. These approaches are tested through the study...
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| Formato: | artículo |
| Fecha de publicación: | 2022 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/182733 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/182733 |
| Access Level: | acceso abierto |
| Palavra-chave: | Ekphrasis Imagentext Translation Intertextuality Intermediality Écfrasis Imagentexto Traducción Intertextualidad Intermedialidad |
| Resumo: | [EN] This research aims to prove the usefulness and relevance of the use of ekphrasis in the analysis of contemporary visual works that encompass the relationship between image and text, through the study of W. J. T. Mitchell s (1942) theories of image. These approaches are tested through the study of the work Still Life / Style Leaf (2014) from the Chilean visual artist Monica Bengoa. This, with the intention of enriching the national artistic discussion, from a linguistic point of view, and expanding the study margins beyond the limits of the dominant formalist and historiographic perspective; providing ekphrasis as an alternative and complementary tool to traditional visual analysis, based on a specific theory to avoid speculation. |
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