Precedentes del pensamiento psicoanalítico en la estética de Nietzsche
Nietzsche’s psychological shift from Human, All Too Human led him to reconsider many aspects of his earlier work on the metaphysics of the artist and approach them from a scientific perspective. We analyze the psychophysiological states derived from the forces of Apollo and Dionysus, as described in...
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| Format: | article |
| Publication Date: | 2025 |
| Country: | España |
| Institution: | Universidad de Murcia |
| Repository: | DIGITUM. Depósito Digital Institucional de la Universidad de Murcia |
| OAI Identifier: | oai:digitum.um.es:10201/166150 |
| Online Access: | https://doi.org/10.6018/daimon.543661 http://hdl.handle.net/10201/166150 |
| Access Level: | Open access |
| Keyword: | Estética de los afectos Psicología del arte Arte y melancolía Psicoanálisis Aesthetics of Affections Psychology of Art Art and melancholy Psychoanalysis Friedrich Nietzsche No relacionado con ningún objetivo de desarrollo sostenible |
| Summary: | Nietzsche’s psychological shift from Human, All Too Human led him to reconsider many aspects of his earlier work on the metaphysics of the artist and approach them from a scientific perspective. We analyze the psychophysiological states derived from the forces of Apollo and Dionysus, as described in The Birth of Tragedy, through his second stage by analyzing the creative power of dreams from the perspective of Freudian psychoanalysis. Our goal is to study the effects and interpretations of Nietzsche’s predictions on Modernity using melancholic paintings present in post-Nietzschean art, such as the works of Giorgio de Chirico. |
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