Promenade Sacra en tres tiempos. Sobre la capilla en Neviges de Gottfried Böhm
[EN] Thanks to architects like Gropius, Mies, Schwarz and Van der Laan or Dominikus Böhm himself, Gottfi red Böhm is placed in a privileged observatory of architecture, art and the liturgy when at the beginning of the 60’s, he receives the assignment to build the Church in Neviges. The article will...
| Autor: | |
|---|---|
| Formato: | artículo |
| Fecha de publicación: | 2013 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/94094 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/94094 |
| Access Level: | acceso abierto |
| Palavra-chave: | Gottfried Böhm Neviges Arquitectura sacra Arquitectura expresionista Arquitectura alemana Sacred architecture Expressionist architecture German architecture |
| Resumo: | [EN] Thanks to architects like Gropius, Mies, Schwarz and Van der Laan or Dominikus Böhm himself, Gottfi red Böhm is placed in a privileged observatory of architecture, art and the liturgy when at the beginning of the 60’s, he receives the assignment to build the Church in Neviges. The article will analyse the work around three axes: the relation with German expressionism (Scheerbart and Tuat), the reading (and the answer) in its context (typology, landscape and scale) and the incorporation of the new Catholic liturgy (iconography, space and light). |
|---|