Beyond Noucentisme: Joaquim Sunyer's Mediterranean Pastoral
Taking as case study the painting Pastoral (1910-11), one of the iconic works of the Catalan artist Joaquim Sunyer (1874-1956), this paper examines the established link between Mediterraneanism and Noucentisme in Catalan culture in the first decades of the twentieth century. A look at how this work...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/22919 |
| Acesso em linha: | http://hdl.handle.net/10256/22919 |
| Access Level: | acceso abierto |
| Palavra-chave: | Art català -- S. XX Art, Catalan -- 20th century Noucentisme (Art) Modernism (Art) |
| Resumo: | Taking as case study the painting Pastoral (1910-11), one of the iconic works of the Catalan artist Joaquim Sunyer (1874-1956), this paper examines the established link between Mediterraneanism and Noucentisme in Catalan culture in the first decades of the twentieth century. A look at how this work was received when it was first exhibited, and the sub-sequent re- reading of its iconography, enables us to understand Pastoral nowadays not as much as a symbol of Noucentisme, but more as a potential meeting point between the different aesthetic trends of the period |
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