The Bauhaus women architects: Dicker, Meyer-Waldeck and Wilke
Unity in diversity, the motto used by Walter Gropius, the founder of the Bauhaus, is not just a title; it is a sequence of time. As the final goal of the Bauhaus was Architecture, the complete work of art where all disciplines are involved, the School, without a female presence, would have been born...
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| Formato: | livro |
| Fecha de publicación: | 2022 |
| País: | España |
| Recursos: | Universidad de Alcalá (UAH) |
| Repositorio: | e_Buah Biblioteca Digital Universidad de Alcalá |
| Idioma: | español |
| OAI Identifier: | oai:ebuah.uah.es:10017/56535 |
| Acesso em linha: | http://hdl.handle.net/10017/56535 |
| Access Level: | acceso abierto |
| Palavra-chave: | Bauhaus Women architects Arquitectura Architecture |
| Resumo: | Unity in diversity, the motto used by Walter Gropius, the founder of the Bauhaus, is not just a title; it is a sequence of time. As the final goal of the Bauhaus was Architecture, the complete work of art where all disciplines are involved, the School, without a female presence, would have been born castrated, it would not have been the Bauhaus. The interweaving of a variety of youthful talents working to make a better world was and always will be an appeal to future generations. Youth with different political ideas, different religions, different places of origin all came together at the Bauhaus, where women, first timidly and gradually more actively, managed to position themselves, and eventually become architects, as was the case of Friedl Dicker, Wera Meyer-Waldeck and Annemarie Wilke. |
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