Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective

This paper looks into Tsujimura Kōichi’s notion of the “circumspective,” which not only indicates a type of composition in traditional Chinese landscape painting but also a way of seeing and relating to the world: human beings must not only see and think about the surrounding world starting from the...

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Detalles Bibliográficos
Autor: Bouso García, Raquel, 1973-
Tipo de recurso: artículo
Estado:Versión aceptada para publicación
Fecha de publicación:2020
País:España
Institución:Universitat Pompeu Fabra
Repositorio:Repositorio Digital de la UPF
OAI Identifier:oai:repositori.upf.edu:10230/58901
Acceso en línea:http://hdl.handle.net/10230/58901
http://dx.doi.org/10.1080/20539320.2020.1885170
Access Level:acceso abierto
Palabra clave:Landscape
Circumspective
Nature
Culture
Chinese painting
Japanese philosophy
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spelling Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspectiveBouso García, Raquel, 1973-LandscapeCircumspectiveNatureCultureChinese paintingJapanese philosophyThis paper looks into Tsujimura Kōichi’s notion of the “circumspective,” which not only indicates a type of composition in traditional Chinese landscape painting but also a way of seeing and relating to the world: human beings must not only see and think about the surrounding world starting from themselves but think and see themselves starting from the surrounding world. In so doing, this article seeks to problematize the relationship between human and nature as it has been conceived in certain artistic practices and philosophical works in Asia and the West. In particular, the issue of culturally-mediated nature and the historicity of landscape will be addressed through literary and pictorial examples from Japan.Taylor & Francis202420242020info:eu-repo/semantics/articleinfo:eu-repo/semantics/acceptedVersionapplication/pdfapplication/pdfhttp://hdl.handle.net/10230/58901http://dx.doi.org/10.1080/20539320.2020.1885170reponame:Repositorio Digital de la UPFinstname:Universitat Pompeu FabraInglésJournal of Aesthetics and Phenomenology. 2020;7(2):91-112© This is an Accepted Manuscript of an article published by Taylor & Francis in Journal of Aesthetics and Phenomenology on 2020, available online: http://www.tandfonline.com/10.1080/20539320.2020.1885170.info:eu-repo/semantics/openAccessoai:repositori.upf.edu:10230/589012026-06-12T07:21:37Z
dc.title.none.fl_str_mv Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective
title Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective
spellingShingle Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective
Bouso García, Raquel, 1973-
Landscape
Circumspective
Nature
Culture
Chinese painting
Japanese philosophy
title_short Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective
title_full Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective
title_fullStr Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective
title_full_unstemmed Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective
title_sort Thinking landscape in the light of Tsujimura Kōichi's notion of the circumspective
dc.creator.none.fl_str_mv Bouso García, Raquel, 1973-
author Bouso García, Raquel, 1973-
author_facet Bouso García, Raquel, 1973-
author_role author
dc.subject.none.fl_str_mv Landscape
Circumspective
Nature
Culture
Chinese painting
Japanese philosophy
topic Landscape
Circumspective
Nature
Culture
Chinese painting
Japanese philosophy
description This paper looks into Tsujimura Kōichi’s notion of the “circumspective,” which not only indicates a type of composition in traditional Chinese landscape painting but also a way of seeing and relating to the world: human beings must not only see and think about the surrounding world starting from themselves but think and see themselves starting from the surrounding world. In so doing, this article seeks to problematize the relationship between human and nature as it has been conceived in certain artistic practices and philosophical works in Asia and the West. In particular, the issue of culturally-mediated nature and the historicity of landscape will be addressed through literary and pictorial examples from Japan.
publishDate 2020
dc.date.none.fl_str_mv 2020
2024
2024
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/acceptedVersion
format article
status_str acceptedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/10230/58901
http://dx.doi.org/10.1080/20539320.2020.1885170
url http://hdl.handle.net/10230/58901
http://dx.doi.org/10.1080/20539320.2020.1885170
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Journal of Aesthetics and Phenomenology. 2020;7(2):91-112
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
dc.source.none.fl_str_mv reponame:Repositorio Digital de la UPF
instname:Universitat Pompeu Fabra
instname_str Universitat Pompeu Fabra
reponame_str Repositorio Digital de la UPF
collection Repositorio Digital de la UPF
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,812455

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