Hacia el grado cero de la arquitectura. El Panteón en hormigón armado
[EN] Between 1926 and 1938, at a distance of just twelve years an intensive research by the Italian architect Adalberto Libera is identified. During those years, the study around two issues present in the small drawing entitled “Pantheon in reinforced concrete” remains constant. On the one hand, the...
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| Formato: | artículo |
| Fecha de publicación: | 2016 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español inglés |
| OAI Identifier: | oai:riunet.upv.es:10251/80914 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/80914 |
| Access Level: | acceso abierto |
| Palavra-chave: | Hormigón Panteón Arquetipo Estereotómico Interior Concrete Pantheon Archetype Stereotomic Inside |
| Resumo: | [EN] Between 1926 and 1938, at a distance of just twelve years an intensive research by the Italian architect Adalberto Libera is identified. During those years, the study around two issues present in the small drawing entitled “Pantheon in reinforced concrete” remains constant. On the one hand, the acceptance of the archetype or model as a necessary way to rebuild the true architecture and, on the other hand, the consideration of the technique or the practice, not as an inherited wisdom, but as invention and manifestation of a particular time |
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