Antoni Viladomat Manalt (1678-1755): anotaciones a su fortuna crítica y nuevas adiciones al catálogo
The present article furthers the study of the origins of the emergence of the posthumous fame of the painter Antoni Viladomat, centring especially on the relations of the inquisition prosecutor Nicolás Rodríguez Laso with Antonio Ponz and the enlightened circles of his day. It also adds a varied sel...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2012 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/9363 |
| Acesso em linha: | http://hdl.handle.net/10256/9363 |
| Access Level: | acceso abierto |
| Palavra-chave: | Viladomat, Antoni, 1678-1755 Pintura barroca Painting, Baroque |
| Resumo: | The present article furthers the study of the origins of the emergence of the posthumous fame of the painter Antoni Viladomat, centring especially on the relations of the inquisition prosecutor Nicolás Rodríguez Laso with Antonio Ponz and the enlightened circles of his day. It also adds a varied selection of new works to his catalogue, including the heretofore unknown self-portrait of the paintor |
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