Forster on film

This article reveals Forster's views on the cinema, arguing his perspective was clearly not an immutable one; over time he either amended or eliminated certain impressions, although some re-emerged later. Primary works written by Forster open the study, to develop his ideas about stage and scre...

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Detalles Bibliográficos
Autor: Chesney, Thom D.
Tipo de recurso: artículo
Fecha de publicación:1999
País:España
Institución:Universitat Autònoma de Barcelona
Repositorio:Dipòsit Digital de Documents de la UAB
Idioma:inglés
OAI Identifier:oai:ddd.uab.cat:2264
Acceso en línea:https://ddd.uab.cat/record/2264
Access Level:acceso abierto
Palabra clave:E. M. Forster
Film
Criticism
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spelling Forster on filmWhat he believedChesney, Thom D.E. M. ForsterFilmCriticismThis article reveals Forster's views on the cinema, arguing his perspective was clearly not an immutable one; over time he either amended or eliminated certain impressions, although some re-emerged later. Primary works written by Forster open the study, to develop his ideas about stage and screen at specific times. The second section draws from existing biographies and commentaries and includes correspondence of Forster's colleagues and friends who were involved in the industry. Thus, a clearer picture of Forster's views on film emerges than a single passage or excerpt might provide, further revealing the ongoing shift/stasis of his position. 11999-01-0119991999-01-01Articlehttp://purl.org/coar/resource_type/c_6501VoRhttp://purl.org/coar/version/c_970fb48d4fbd8a85info:eu-repo/semantics/articleapplication/pdfhttps://ddd.uab.cat/record/2264reponame:Dipòsit Digital de Documents de la UABinstname:Universitat Autònoma de BarcelonaInglésengopen accesshttp://purl.org/coar/access_right/c_abf2Aquest material està protegit per drets d'autor i/o drets afins. Podeu utilitzar aquest material en funció del que permet la legislació de drets d'autor i drets afins d'aplicació al vostre cas. Per a d'altres usos heu d'obtenir permís del(s) titular(s) de drets.https://rightsstatements.org/vocab/InC/1.0/info:eu-repo/semantics/openAccessoai:ddd.uab.cat:22642026-06-06T12:50:31Z
dc.title.none.fl_str_mv Forster on film
What he believed
title Forster on film
spellingShingle Forster on film
Chesney, Thom D.
E. M. Forster
Film
Criticism
title_short Forster on film
title_full Forster on film
title_fullStr Forster on film
title_full_unstemmed Forster on film
title_sort Forster on film
dc.creator.none.fl_str_mv Chesney, Thom D.
author Chesney, Thom D.
author_facet Chesney, Thom D.
author_role author
dc.subject.none.fl_str_mv E. M. Forster
Film
Criticism
topic E. M. Forster
Film
Criticism
description This article reveals Forster's views on the cinema, arguing his perspective was clearly not an immutable one; over time he either amended or eliminated certain impressions, although some re-emerged later. Primary works written by Forster open the study, to develop his ideas about stage and screen at specific times. The second section draws from existing biographies and commentaries and includes correspondence of Forster's colleagues and friends who were involved in the industry. Thus, a clearer picture of Forster's views on film emerges than a single passage or excerpt might provide, further revealing the ongoing shift/stasis of his position.
publishDate 1999
dc.date.none.fl_str_mv 1
1999-01-01
1999
1999-01-01
dc.type.none.fl_str_mv Article
http://purl.org/coar/resource_type/c_6501
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language_invalid_str_mv Inglés
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dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
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eu_rights_str_mv openAccess
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