Estética indígena y glocalización: agentividades recursivas
[EN] This paper is about the aesthetic production of Ocumicho, an indigenous community belonging to the Purépecha ethnic group, in Mexico. The polychromatic mud sculptures, created mainly by women, are the result of creative and circulation processes that allow the analysis of the recursions that ar...
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| Formato: | capítulo de livro |
| Fecha de publicación: | 2017 |
| País: | España |
| Recursos: | Universitat Politècnica de València (UPV) |
| Repositorio: | RiuNet. Repositorio Institucional de la Universitat Politécnica de Valéncia |
| Idioma: | español |
| OAI Identifier: | oai:riunet.upv.es:10251/106504 |
| Acesso em linha: | https://riunet.upv.es/handle/10251/106504 |
| Access Level: | acceso abierto |
| Palavra-chave: | Arte indígena Glocalización Agencia México Purépecha Indigenous Arts Glocalization Agency |
| Resumo: | [EN] This paper is about the aesthetic production of Ocumicho, an indigenous community belonging to the Purépecha ethnic group, in Mexico. The polychromatic mud sculptures, created mainly by women, are the result of creative and circulation processes that allow the analysis of the recursions that are activated from the agency of different actors, whether creators, national public policies, collectors, Museums, artists from other disciplines, academics or the works of art and their aesthetic particularities. From the anthropology of art will analyze the crosses and effects of a local art that has influenced the work of artists such as Eduardo Galeano, found in galleries and national and international museums, a production that is cataloged as art, folk art Or handicrafts, categorizations that place it in a liminal state that corresponds to the historical and social reality of its creators: women, under conditions of poverty and indigenous people who model the local history of their community and their rituals while global events and national The articulation of a character; The devil, who has given them international fame. |
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