Reflejos de violencia y política internacional en la pintura abstracta contemporánea de Nepal: una cuestión sin resolver
Since the new libertarian and democratic ideologies typical of the West arrived in Nepal through India, the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave. The Nepalese painters adopted the Western styles -particularly realism and, from the fi...
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| Formato: | artículo |
| Fecha de publicación: | 2016 |
| País: | España |
| Recursos: | Universidad Rey Juan Carlos |
| Repositorio: | BURJC-Digital. Repositorio Institucional de la Universidad Rey Juan Carlos |
| OAI Identifier: | oai:burjcdigital.urjc.es:10115/42228 |
| Acesso em linha: | https://hdl.handle.net/10115/42228 |
| Access Level: | acceso abierto |
| Palavra-chave: | arte contemporáneo nepali pintura abstracta nepalí arte político nepalí |
| Resumo: | Since the new libertarian and democratic ideologies typical of the West arrived in Nepal through India, the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave. The Nepalese painters adopted the Western styles -particularly realism and, from the fifties, abstraction- as innovative mediums to represent the environment of violence, in a century characterized by the revolution, subversion and general discomfort in the country |
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