Exaltación de la iconografía local en la segunda mitad del siglo XVIII: La ciudad de Toledo
The artistic view during Spanish Enlightenment outlines complex and apparently contradictory solutions to the investigator. This article intends to show, through diverse examples related to the Toledan area, the attachment among neoclassicism and historical conscience. In other words: the intentiona...
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| Formato: | artículo |
| Fecha de publicación: | 2003 |
| País: | España |
| Recursos: | Universidad de Castilla-La Mancha |
| Repositorio: | RUIdeRA. Repositorio Institucional de la UCLM |
| OAI Identifier: | oai:ruidera.uclm.es:10578/42108 |
| Acesso em linha: | https://hdl.handle.net/10578/42108 |
| Access Level: | acceso abierto |
| Palavra-chave: | Antonio Ponz Capilla de Reyes Nuevos de la Catedral de Toledo Claustro de la Catedral de Toledo Escultura urbana en Toledo Estatuas de la Coronación en el Palacio Real Falsos Cronicones Francisco Antonio de Lorenzana y Butrón Francisco Bayeu y Subías Iconografía palatina Iconografía religiosa Ilustración española Jansenismo Madrid Mariano Salvador Maella Martín Sarmiento Neoclasicismo Palacio Real de Madrid Rito mozárabe San Isidro Toledo |
| Resumo: | The artistic view during Spanish Enlightenment outlines complex and apparently contradictory solutions to the investigator. This article intends to show, through diverse examples related to the Toledan area, the attachment among neoclassicism and historical conscience. In other words: the intentional recuperation of a past in which monarchical exaltation and religious feeling advance parallel and through the most characteristical representation formulae of the XVIII century. |
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