Olga Pericet y su Cuerpo infinito: entre la tradición y la innovación del baile flamenco a través de la figura de Carmen Amaya
[EN] In the following article we propose to deepen and reflect on the artist Olga Pericet through her work ‘Cuerpo Infinito’, where bridges are built between the past, the present and the future of theatrical flamenco dance through the figure of Carmen Amaya, from her memory and her legacy, which le...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Recursos: | Consejo Superior de Investigaciones Científicas (CSIC) |
| Repositorio: | DIGITAL.CSIC. Repositorio Institucional del CSIC |
| OAI Identifier: | oai:digital.csic.es:10261/422620 |
| Acesso em linha: | http://hdl.handle.net/10261/422620 |
| Access Level: | acceso abierto |
| Palavra-chave: | Pericet, Olga (1975-) Amaya, Carmen (1918-1963) Flamenco dance Theatricalisation Transgression Baile flamenco Teatralización Transgresión Dance Performers |
| Resumo: | [EN] In the following article we propose to deepen and reflect on the artist Olga Pericet through her work ‘Cuerpo Infinito’, where bridges are built between the past, the present and the future of theatrical flamenco dance through the figure of Carmen Amaya, from her memory and her legacy, which leads to a deep investigation, transformation, learning, hybridization and search. |
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