In-Yer-Face Theatre' and the 'Society of Spectacle': The Violence of Progress in Martin Crimp's The Treatment
The Treatment was published in 1993, right aftes the fall of Berlín Wall. The tearing down of BerlinWall signified a transition from the social-oriented type of capitalism which has benn practised since the end of the World War TWO, into a tyoe of capitalism which has benn increasingly based on lasi...
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| Format: | article |
| Status: | Published version |
| Publication Date: | 2010 |
| Country: | España |
| Institution: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repository: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:2445/228026 |
| Online Access: | https://hdl.handle.net/2445/228026 |
| Access Level: | Open access |
| Keyword: | Dramaturgs Teatre Anglaterra Dramatists Theater England |
| Summary: | The Treatment was published in 1993, right aftes the fall of Berlín Wall. The tearing down of BerlinWall signified a transition from the social-oriented type of capitalism which has benn practised since the end of the World War TWO, into a tyoe of capitalism which has benn increasingly based on lasissez-faire, neo-liberal policies. |
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