El disfraz de ciervo y otros testimonios del carnaval medieval en el alero de San Miguel de Fuentidueña
Accordin to the current opinion about Romanic Art issues, the sculpted fringes of San Miguel de Fuentidueña (Segovia) show a characteristic popular culture. These examples both deny and sanctions the doctrinal and eschatological teaching iconography development inside the temple. They also demostrat...
| Autor: | |
|---|---|
| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 1995 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/15196 |
| Acesso em linha: | http://hdl.handle.net/10256/15196 |
| Access Level: | acceso abierto |
| Palavra-chave: | San Miguel de Fuentidueña (Monestir : Segòvia) Carnestoltes Carnival Escultura romànica -- Castella i Lleó -- Segòvia Sculpture, Romanesque -- Castille-León -- Segovia |
| Resumo: | Accordin to the current opinion about Romanic Art issues, the sculpted fringes of San Miguel de Fuentidueña (Segovia) show a characteristic popular culture. These examples both deny and sanctions the doctrinal and eschatological teaching iconography development inside the temple. They also demostrate the way the Church controlled any secular image |
|---|