Una Negación de san Pedroa la manfrediana methodusen el convento de las carmelitas descalzas de Mataró (Barcelona)
This article discusses one of the few paintings to survive from the convent of the Dis-calced Carmelites of the Immaculate Conception in Mataró (Barcelona), which was burnt down during the early days of July 1936. The formal and compositional simi-larities between this work, a Denial of Saint Peter,...
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| Formato: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2021 |
| País: | España |
| Recursos: | Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya) |
| Repositorio: | Recercat. Dipósit de la Recerca de Catalunya |
| OAI Identifier: | oai:recercat.cat:10256/20775 |
| Acesso em linha: | http://hdl.handle.net/10256/20775 |
| Access Level: | acceso abierto |
| Palavra-chave: | Manfredi, Bartolomeo, 1587-1620 o 1621 Pintura barroca -- Catalunya Painting, Baroque -- Catalonia Monestir de l'Immaculada Concepció de les Carmelites Descalces (Mataró, Catalunya) Monestir de l'Immaculada Concepció de les Carmelites Descalces (Mataró, Catalonia) |
| Resumo: | This article discusses one of the few paintings to survive from the convent of the Dis-calced Carmelites of the Immaculate Conception in Mataró (Barcelona), which was burnt down during the early days of July 1936. The formal and compositional simi-larities between this work, a Denial of Saint Peter, and the work of Bartolomeo Man-dredi (1582-1622), one of Caravaggio's principal followers, suggest that the Mataró painting belongs to the manfrediana methodus, the successful stylistic pattern that spread among the first generation of Caravaggisti or followers of Caravaggio |
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