Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain

The walls of the Alcazar Palace in Seville have been covered with ceramic tiles of different styles that were manufactured with different techniques. Several studies have been carried out on these ceramics, but no interest has been paid to the tiles manufactured by the workshop of the Valladares fam...

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Detalhes bibliográficos
Autores: Pérez Rodríguez, José Luis, Robador González, María Dolores, Durán Benito, Adrián
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2022
País:España
Recursos:Universidad de Sevilla (US)
Repositorio:idUS. Depósito de Investigación de la Universidad de Sevilla
OAI Identifier:oai:idus.us.es:11441/135789
Acesso em linha:https://hdl.handle.net/11441/135789
https://doi.org/10.1140/epjp/s13360-022-02669-9
Access Level:acceso abierto
Palavra-chave:Ceramics
Alcazar Palace (Seville)
Valladares family
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spelling Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, SpainPérez Rodríguez, José LuisRobador González, María DoloresDurán Benito, AdriánCeramicsAlcazar Palace (Seville)Valladares familyThe walls of the Alcazar Palace in Seville have been covered with ceramic tiles of different styles that were manufactured with different techniques. Several studies have been carried out on these ceramics, but no interest has been paid to the tiles manufactured by the workshop of the Valladares family, one of the most productive ceramic workshops in Triana (Seville). In this work, tiles that were made in the Valladares workshop are studied for the first time. The tiles from the Cenador del Leon built in 1645–1646 were chosen. The experimental studies suggest that the ceramic body was manufactured with silico-calcareous clay. This raw material was heated to a temperature of ca. 900 °C. A nondestructive and on-site analytical procedure was applied first. Microsamples were also taken and studied through microanalytical techniques. The maiolica style was used by Benito de Valladares for tile manufacture. The glaze phases were constituted by two layers. The pigments and doping elements used to obtain different colors were characterized. Valladares’ work is considered as a continuation of Augusta’s work; therefore, a comparison between both ceramists has been realized to better understand the ceramics production in southern Spain during the sixteenth to seventeenth centuries.SpringerConstrucciones Arquitectónicas II2022info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfapplication/pdfhttps://hdl.handle.net/11441/135789https://doi.org/10.1140/epjp/s13360-022-02669-9reponame:idUS. Depósito de Investigación de la Universidad de Sevillainstname:Universidad de Sevilla (US)InglésThe European Physical Journal Plus, 137 (4), 1-13.https://doi.org/10.1140/epjp/s13360-022-02669-9info:eu-repo/semantics/openAccessoai:idus.us.es:11441/1357892026-06-17T12:51:07Z
dc.title.none.fl_str_mv Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain
title Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain
spellingShingle Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain
Pérez Rodríguez, José Luis
Ceramics
Alcazar Palace (Seville)
Valladares family
title_short Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain
title_full Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain
title_fullStr Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain
title_full_unstemmed Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain
title_sort Composition and technological features of ceramics manufactured by Benito de Valladares in the seventeenth century from the Alcazar Palace in Seville, Spain
dc.creator.none.fl_str_mv Pérez Rodríguez, José Luis
Robador González, María Dolores
Durán Benito, Adrián
author Pérez Rodríguez, José Luis
author_facet Pérez Rodríguez, José Luis
Robador González, María Dolores
Durán Benito, Adrián
author_role author
author2 Robador González, María Dolores
Durán Benito, Adrián
author2_role author
author
dc.contributor.none.fl_str_mv Construcciones Arquitectónicas II
dc.subject.none.fl_str_mv Ceramics
Alcazar Palace (Seville)
Valladares family
topic Ceramics
Alcazar Palace (Seville)
Valladares family
description The walls of the Alcazar Palace in Seville have been covered with ceramic tiles of different styles that were manufactured with different techniques. Several studies have been carried out on these ceramics, but no interest has been paid to the tiles manufactured by the workshop of the Valladares family, one of the most productive ceramic workshops in Triana (Seville). In this work, tiles that were made in the Valladares workshop are studied for the first time. The tiles from the Cenador del Leon built in 1645–1646 were chosen. The experimental studies suggest that the ceramic body was manufactured with silico-calcareous clay. This raw material was heated to a temperature of ca. 900 °C. A nondestructive and on-site analytical procedure was applied first. Microsamples were also taken and studied through microanalytical techniques. The maiolica style was used by Benito de Valladares for tile manufacture. The glaze phases were constituted by two layers. The pigments and doping elements used to obtain different colors were characterized. Valladares’ work is considered as a continuation of Augusta’s work; therefore, a comparison between both ceramists has been realized to better understand the ceramics production in southern Spain during the sixteenth to seventeenth centuries.
publishDate 2022
dc.date.none.fl_str_mv 2022
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/11441/135789
https://doi.org/10.1140/epjp/s13360-022-02669-9
url https://hdl.handle.net/11441/135789
https://doi.org/10.1140/epjp/s13360-022-02669-9
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv The European Physical Journal Plus, 137 (4), 1-13.
https://doi.org/10.1140/epjp/s13360-022-02669-9
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Springer
publisher.none.fl_str_mv Springer
dc.source.none.fl_str_mv reponame:idUS. Depósito de Investigación de la Universidad de Sevilla
instname:Universidad de Sevilla (US)
instname_str Universidad de Sevilla (US)
reponame_str idUS. Depósito de Investigación de la Universidad de Sevilla
collection idUS. Depósito de Investigación de la Universidad de Sevilla
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,228081

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