Realitat, fantasia i ideologia en la poètica de Pere Calders
This paper analyses the value and meaning of the concepts "reality" and "fantasy" in Pere Calders' literary world, as the foundations of a literary attitude upholding the imaginary and the fantastic and facing realistic literature of committed or testimonial nature. Secondly...
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| Formato: | artículo |
| Fecha de publicación: | 2019 |
| País: | España |
| Recursos: | Universitat Autònoma de Barcelona |
| Repositorio: | Dipòsit Digital de Documents de la UAB |
| Idioma: | catalán |
| OAI Identifier: | oai:ddd.uab.cat:215794 |
| Acesso em linha: | https://ddd.uab.cat/record/215794 https://dx.doi.org/urn:doi:10.5565/rev/brumal.603 |
| Access Level: | acceso abierto |
| Palavra-chave: | Pere Calders Realisme Fantasia Ideologia Realism The fantastic Ideology |
| Resumo: | This paper analyses the value and meaning of the concepts "reality" and "fantasy" in Pere Calders' literary world, as the foundations of a literary attitude upholding the imaginary and the fantastic and facing realistic literature of committed or testimonial nature. Secondly, it analyses the author's critiques of positivist scientism and his claim of art and literature as gnoseological alternatives. The analysis of two short stories completes the ideological approach to Calders' oeuvre: "The First Harlequin", as opposed to religious thinking, and "The Streak and the Wish" [1], as a metaphoric view of Catalonian exile.[1] Traducció del títol a càrrec de Mara Faye Lethem. |
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