The beauty of a beam: The continuity of Joan Torras's beam of equal strength in the work of his disciples—Guastavino, Gaudí, and Jujol
Joan Torras, professor of the strength of materials at the School of Architecture of Barcelona (1871-1910), considered the beam of equal strength not only as a structurally extremely efficient beam, but also as beautiful because of its ability to reflect the material's strength. Torras' st...
| Autores: | , |
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| Tipo de documento: | artigo |
| Data de publicação: | 2015 |
| País: | España |
| Recursos: | Universitat Politècnica de Catalunya (UPC) |
| Repositório: | UPCommons. Portal del coneixement obert de la UPC |
| Idioma: | inglês |
| OAI Identifier: | oai:upcommons.upc.edu:2117/28089 |
| Acesso em linha: | https://hdl.handle.net/2117/28089 https://dx.doi.org/10.1080/15583058.2013.787468 |
| Access Level: | Acceso aberto |
| Palavra-chave: | Architects Antoni Gaudí Barcelona History of architecture Joan Torras Guardiola Josep Maria Jujol Max Möller Rafael Guastavino Reinforced concrete Robert Maillart Tile vaulting Arquitectes Àrees temàtiques de la UPC::Arquitectura::Arquitectes Àrees temàtiques de la UPC::Arquitectura::Composició arquitectònica |
| Resumo: | Joan Torras, professor of the strength of materials at the School of Architecture of Barcelona (1871-1910), considered the beam of equal strength not only as a structurally extremely efficient beam, but also as beautiful because of its ability to reflect the material's strength. Torras' structures have left their special mark on Barcelona and on the work of his most illustrious students: Rafael Guastavino in the United States published similar structures, but it was Antoni Gaudí and Josep Maria Jujol who transfigured them mimetically for Barcelona's Park Güell and Tarragona's Metropol Theatre, respectively. These examples will show how an expressive gesture can thoroughly transform a “technical form” into an “artistic form”, a fact that inevitably recalls the wisdom of classical Greek mimesis. |
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