'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700

This article grew out of the discovery of a series of inventories that allow us to chart the arrival in Madrid in 1697 of a portrait of Alessandro Scarlatti attributed to Solimena, and to identify two further portraits of musicians associated with the composer.1 The article will show that there was...

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Detalhes bibliográficos
Autor: Domínguez Rodríguez, José María
Formato: artículo
Fecha de publicación:2009
País:España
Recursos:Universidad Complutense de Madrid (UCM)
Repositorio:Docta Complutense
Idioma:inglés
OAI Identifier:oai:docta.ucm.es:20.500.14352/132699
Acesso em linha:https://hdl.handle.net/20.500.14352/132699
Access Level:acceso abierto
Palavra-chave:78.034.8
Alessandro Scarlatti
Mecenazgo musical
Música del barroco
Cantatas
Virreyes de Nápoles
Música barroca
6203.06 Música, Musicología
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spelling 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700Domínguez Rodríguez, José María78.034.8Alessandro ScarlattiMecenazgo musicalMúsica del barrocoCantatasVirreyes de NápolesMúsica barroca6203.06 Música, MusicologíaThis article grew out of the discovery of a series of inventories that allow us to chart the arrival in Madrid in 1697 of a portrait of Alessandro Scarlatti attributed to Solimena, and to identify two further portraits of musicians associated with the composer.1 The article will show that there was a cycle of reception of Neapolitan music by these virtuosos in Spain, a cycle that followed two phases: first, the diffusion of the fame of the musicians depicted in the portraits through the members of the aristocracy closest to Charles II, for example, the Count of Santisteban and the Duke of Sesto, general of the cavalry in Milan. The second phase, following the establishment of the Bourbon dynasty, involved the transmission to Madrid of the music as performed by the virtuosos in the portraits. The reception of this music is reflected in a number of surviving musical sources which will be identified and studied in detail here, with new evidence concerning their provenance.Oxford University PressUniversidad Complutense de Madrid20092009-01-0120092009-01-01journal articlehttp://purl.org/coar/resource_type/c_6501AOhttp://purl.org/coar/version/c_b1a7d7d4d402bcceinfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/20.500.14352/132699reponame:Docta Complutenseinstname:Universidad Complutense de Madrid (UCM)InglésengMinisterio de Ciencia e Innovación http://dx.doi.org/10.13039/501100004837 Not available HAR2008-00636 PUBLICO, CIUDAD, ESTILO: LA VIDA MUSICAL EN MADRID DURANTE LA ILUSTRACION (1759 Y 1808)open accesshttp://purl.org/coar/access_right/c_abf2Attribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/info:eu-repo/semantics/openAccessoai:docta.ucm.es:20.500.14352/1326992026-06-02T12:44:21Z
dc.title.none.fl_str_mv 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700
title 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700
spellingShingle 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700
Domínguez Rodríguez, José María
78.034.8
Alessandro Scarlatti
Mecenazgo musical
Música del barroco
Cantatas
Virreyes de Nápoles
Música barroca
6203.06 Música, Musicología
title_short 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700
title_full 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700
title_fullStr 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700
title_full_unstemmed 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700
title_sort 'Comedias armónicas a la usanza de Italia’: Alessandro Scarlatti’s music and the Spanish nobility c.1700
dc.creator.none.fl_str_mv Domínguez Rodríguez, José María
author Domínguez Rodríguez, José María
author_facet Domínguez Rodríguez, José María
author_role author
dc.contributor.none.fl_str_mv Universidad Complutense de Madrid
dc.subject.none.fl_str_mv 78.034.8
Alessandro Scarlatti
Mecenazgo musical
Música del barroco
Cantatas
Virreyes de Nápoles
Música barroca
6203.06 Música, Musicología
topic 78.034.8
Alessandro Scarlatti
Mecenazgo musical
Música del barroco
Cantatas
Virreyes de Nápoles
Música barroca
6203.06 Música, Musicología
description This article grew out of the discovery of a series of inventories that allow us to chart the arrival in Madrid in 1697 of a portrait of Alessandro Scarlatti attributed to Solimena, and to identify two further portraits of musicians associated with the composer.1 The article will show that there was a cycle of reception of Neapolitan music by these virtuosos in Spain, a cycle that followed two phases: first, the diffusion of the fame of the musicians depicted in the portraits through the members of the aristocracy closest to Charles II, for example, the Count of Santisteban and the Duke of Sesto, general of the cavalry in Milan. The second phase, following the establishment of the Bourbon dynasty, involved the transmission to Madrid of the music as performed by the virtuosos in the portraits. The reception of this music is reflected in a number of surviving musical sources which will be identified and studied in detail here, with new evidence concerning their provenance.
publishDate 2009
dc.date.none.fl_str_mv 2009
2009-01-01
2009
2009-01-01
dc.type.none.fl_str_mv journal article
http://purl.org/coar/resource_type/c_6501
AO
http://purl.org/coar/version/c_b1a7d7d4d402bcce
dc.type.openaire.fl_str_mv info:eu-repo/semantics/article
format article
dc.identifier.none.fl_str_mv https://hdl.handle.net/20.500.14352/132699
url https://hdl.handle.net/20.500.14352/132699
dc.language.none.fl_str_mv Inglés
eng
language_invalid_str_mv Inglés
language eng
dc.relation.none.fl_str_mv Ministerio de Ciencia e Innovación http://dx.doi.org/10.13039/501100004837 Not available HAR2008-00636 PUBLICO, CIUDAD, ESTILO: LA VIDA MUSICAL EN MADRID DURANTE LA ILUSTRACION (1759 Y 1808)
dc.rights.none.fl_str_mv open access
http://purl.org/coar/access_right/c_abf2
Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rights.openaire.fl_str_mv info:eu-repo/semantics/openAccess
rights_invalid_str_mv open access
http://purl.org/coar/access_right/c_abf2
Attribution-NonCommercial-NoDerivatives 4.0 International
http://creativecommons.org/licenses/by-nc-nd/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Oxford University Press
publisher.none.fl_str_mv Oxford University Press
dc.source.none.fl_str_mv reponame:Docta Complutense
instname:Universidad Complutense de Madrid (UCM)
instname_str Universidad Complutense de Madrid (UCM)
reponame_str Docta Complutense
collection Docta Complutense
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,812455

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