A Catalan Tapestry in New York?

In 1928, after visiting an exhibition of tapestries in the Manufacture des Gobelins, Marthe Crick-Kuntziger could not resist the "pleasure" of posing the following hypothesis: that an altar frontispiece with the instruments of the Passion aligned over a flowery background, completely woven...

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Detalhes bibliográficos
Autor: Vidal Franquet, Jacobo
Tipo de documento: artigo
Estado:Versão publicada
Data de publicação:2021
País:España
Recursos:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
Repositório:Recercat. Dipósit de la Recerca de Catalunya
OAI Identifier:oai:recercat.cat:2445/186481
Acesso em linha:https://hdl.handle.net/2445/186481
Access Level:Acceso aberto
Palavra-chave:Tapissos
Catalunya
Tapestries
Catalonia
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spelling A Catalan Tapestry in New York?Vidal Franquet, JacoboTapissosCatalunyaTapestriesCataloniaIn 1928, after visiting an exhibition of tapestries in the Manufacture des Gobelins, Marthe Crick-Kuntziger could not resist the "pleasure" of posing the following hypothesis: that an altar frontispiece with the instruments of the Passion aligned over a flowery background, completely woven in gold and silver thread, was produced in Spain, specifically in Barcelona. As it turns out, this appraisal had already been made by Lluís Tramoyeres, who had contemplated the work eighteen years previously in a retrospective exhibition of Valencian art, and who considered that it must be of Catalan manufacture.1 In any case, this suggestive conjecture has been widely refuted. The objective of this short paper is to recuperate it and refine it: the tapestry, currently preserved in the MMA (acc. no. 52.34), must have been manufactured in the Crown of Aragon around 1480-1510, perhaps in the workshop of the master weaver Joan Marroquí.Academia.edu2022202220212022info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersion9 p.application/pdfapplication/pdfhttps://hdl.handle.net/2445/186481Articles publicats en revistes (Història de l'Art)reponame:Recercat. Dipósit de la Recerca de Catalunyainstname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)InglésReproducció del document publicat a: https://doi.org/10.20935/AL2690Academia Letters, 2021, num. 2690, p. 1-9https://doi.org/10.20935/AL2690cc-by (c) Vidal Franquet, Jacobo, 2021https://creativecommons.org/licenses/by/4.0/info:eu-repo/semantics/openAccessoai:recercat.cat:2445/1864812026-05-29T05:05:01Z
dc.title.none.fl_str_mv A Catalan Tapestry in New York?
title A Catalan Tapestry in New York?
spellingShingle A Catalan Tapestry in New York?
Vidal Franquet, Jacobo
Tapissos
Catalunya
Tapestries
Catalonia
title_short A Catalan Tapestry in New York?
title_full A Catalan Tapestry in New York?
title_fullStr A Catalan Tapestry in New York?
title_full_unstemmed A Catalan Tapestry in New York?
title_sort A Catalan Tapestry in New York?
dc.creator.none.fl_str_mv Vidal Franquet, Jacobo
author Vidal Franquet, Jacobo
author_facet Vidal Franquet, Jacobo
author_role author
dc.subject.none.fl_str_mv Tapissos
Catalunya
Tapestries
Catalonia
topic Tapissos
Catalunya
Tapestries
Catalonia
description In 1928, after visiting an exhibition of tapestries in the Manufacture des Gobelins, Marthe Crick-Kuntziger could not resist the "pleasure" of posing the following hypothesis: that an altar frontispiece with the instruments of the Passion aligned over a flowery background, completely woven in gold and silver thread, was produced in Spain, specifically in Barcelona. As it turns out, this appraisal had already been made by Lluís Tramoyeres, who had contemplated the work eighteen years previously in a retrospective exhibition of Valencian art, and who considered that it must be of Catalan manufacture.1 In any case, this suggestive conjecture has been widely refuted. The objective of this short paper is to recuperate it and refine it: the tapestry, currently preserved in the MMA (acc. no. 52.34), must have been manufactured in the Crown of Aragon around 1480-1510, perhaps in the workshop of the master weaver Joan Marroquí.
publishDate 2021
dc.date.none.fl_str_mv 2021
2022
2022
2022
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://hdl.handle.net/2445/186481
url https://hdl.handle.net/2445/186481
dc.language.none.fl_str_mv Inglés
language_invalid_str_mv Inglés
dc.relation.none.fl_str_mv Reproducció del document publicat a: https://doi.org/10.20935/AL2690
Academia Letters, 2021, num. 2690, p. 1-9
https://doi.org/10.20935/AL2690
dc.rights.none.fl_str_mv cc-by (c) Vidal Franquet, Jacobo, 2021
https://creativecommons.org/licenses/by/4.0/
info:eu-repo/semantics/openAccess
rights_invalid_str_mv cc-by (c) Vidal Franquet, Jacobo, 2021
https://creativecommons.org/licenses/by/4.0/
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 9 p.
application/pdf
application/pdf
dc.publisher.none.fl_str_mv Academia.edu
publisher.none.fl_str_mv Academia.edu
dc.source.none.fl_str_mv Articles publicats en revistes (Història de l'Art)
reponame:Recercat. Dipósit de la Recerca de Catalunya
instname:Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
instname_str Varias* (Consorci de Biblioteques Universitáries de Catalunya, Centre de Serveis Científics i Acadèmics de Catalunya)
reponame_str Recercat. Dipósit de la Recerca de Catalunya
collection Recercat. Dipósit de la Recerca de Catalunya
repository.name.fl_str_mv
repository.mail.fl_str_mv
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score 15,812455

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