Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies

Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies, published in 1924 and 1954, respectively, rst introduced the metaphor of human hunts and they depict proto-dystopian societies where the idea of cultural progress is questioned, for individuals d...

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Authors: Saravia Vargas, Juan Carlos, Saravia Vargas, José Roberto
Format: article
Status:Published version
Publication Date:2018
Country:Costa Rica
Institution:Universidad de Costa Rica
Repository:Portal de Revistas UCR
Language:Spanish
English
OAI Identifier:oai:portal.ucr.ac.cr:article/32069
Online Access:https://revistas.ucr.ac.cr/index.php/rlm/article/view/32069
Access Level:Open access
Keyword:human hunts
devolution
text-to-film comparison
Lord of the Flies
“The Most Dangerous Game”
adaptation
comparative literature
cacerías humanas
involución
comparación de texto a filme
adaptación
literatura comparada
id CR_e3a5d54b0cddcab7bbcb217a4d206d4a
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dc.title.none.fl_str_mv Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
title Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
spellingShingle Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
Saravia Vargas, Juan Carlos
human hunts
devolution
text-to-film comparison
Lord of the Flies
“The Most Dangerous Game”
adaptation
comparative literature
cacerías humanas
involución
comparación de texto a filme
adaptación
literatura comparada
human hunts
devolution
text-to-film comparison
Lord of the Flies
“The Most Dangerous Game”
adaptation
comparative literature
cacerías humanas
involución
comparación de texto a filme
adaptación
literatura comparada
title_short Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
title_full Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
title_fullStr Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
title_full_unstemmed Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
title_sort Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies
dc.creator.none.fl_str_mv Saravia Vargas, Juan Carlos
Saravia Vargas, José Roberto
author Saravia Vargas, Juan Carlos
author_facet Saravia Vargas, Juan Carlos
Saravia Vargas, José Roberto
author_role author
author2 Saravia Vargas, José Roberto
author2_role author
dc.subject.none.fl_str_mv human hunts
devolution
text-to-film comparison
Lord of the Flies
“The Most Dangerous Game”
adaptation
comparative literature
cacerías humanas
involución
comparación de texto a filme
adaptación
literatura comparada
human hunts
devolution
text-to-film comparison
Lord of the Flies
“The Most Dangerous Game”
adaptation
comparative literature
cacerías humanas
involución
comparación de texto a filme
adaptación
literatura comparada
topic human hunts
devolution
text-to-film comparison
Lord of the Flies
“The Most Dangerous Game”
adaptation
comparative literature
cacerías humanas
involución
comparación de texto a filme
adaptación
literatura comparada
human hunts
devolution
text-to-film comparison
Lord of the Flies
“The Most Dangerous Game”
adaptation
comparative literature
cacerías humanas
involución
comparación de texto a filme
adaptación
literatura comparada
description Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies, published in 1924 and 1954, respectively, rst introduced the metaphor of human hunts and they depict proto-dystopian societies where the idea of cultural progress is questioned, for individuals devolve after nding themselves subjected to the rules of a wild  environment. Movie adaptations of these literary works face the dilemma of delity because, since movies are expected to generate a signi cant income, the changes res- pond to commercial considerations, which, paradoxically, affects the reception of the film.     Las obras “The Most Dangerous Game”, de Connell, y Lord of the Flies, de Golding, publicadas en 1924 y 1954, respectivamente, fueron las primeras en introducir la metáfora de las cacerías humanas. En ellas aparecen so- ciedades protodistópicas, donde la idea del progreso cultural se cuestiona, ya que los individuos retroceden evolutivamente al encontrarse sujetos a las reglas de un ambiente salvaje. Las adaptaciones cinematográ cas de estos textos enfrentan el dilema de la delidad pues, dado que se espera que las películas generen un ingreso económico significativo, los cambios responden a consideraciones comerciales que, paradójicamente, afectan la recepción del filme. 
publishDate 2018
dc.date.none.fl_str_mv 2018-01-26
dc.type.none.fl_str_mv info:eu-repo/semantics/publishedVersion
Article
Artículo evaluado por pares
artículo original
http://purl.org/coar/resource_type/c_2df8fbb1
info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.ucr.ac.cr/index.php/rlm/article/view/32069
10.15517/rlm.v0i27.32069
url https://revistas.ucr.ac.cr/index.php/rlm/article/view/32069
identifier_str_mv 10.15517/rlm.v0i27.32069
dc.language.none.fl_str_mv spa
eng
language spa
eng
dc.relation.none.fl_str_mv https://revistas.ucr.ac.cr/index.php/rlm/article/view/32069/31754
https://revistas.ucr.ac.cr/index.php/rlm/article/view/32069/31755
https://revistas.ucr.ac.cr/index.php/rlm/article/view/32069/35694
dc.rights.none.fl_str_mv acceso abierto
http://purl.org/coar/access_right/c_abf2
info:eu-repo/semantics/openAccess
rights_invalid_str_mv acceso abierto
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eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/pdf
application/epub+zip
dc.publisher.none.fl_str_mv Escuela de Lenguas Modernas, Universidad de Costa Rica
publisher.none.fl_str_mv Escuela de Lenguas Modernas, Universidad de Costa Rica
dc.source.none.fl_str_mv Journal Of Modern Languages; No. 27 (2017)
Revista de Lenguas Modernas; Núm. 27 (2017)
2215-5643
1659-1933
10.15517/rlm.v0i27
reponame:Portal de Revistas UCR
instname:Universidad de Costa Rica
instacron:UCR
instname_str Universidad de Costa Rica
instacron_str UCR
institution UCR
reponame_str Portal de Revistas UCR
collection Portal de Revistas UCR
repository.name.fl_str_mv Portal de Revistas UCR - Universidad de Costa Rica
repository.mail.fl_str_mv jorge.polanco@ucr.ac.cr
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spelling Human Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the FliesHuman Degradation: A Text-to-Film Comparison of the Human Hunts in Connell’s “The Most Dangerous Game” and Golding’s Lord of the FliesSaravia Vargas, Juan CarlosSaravia Vargas, José Robertohuman huntsdevolutiontext-to-film comparisonLord of the Flies“The Most Dangerous Game”adaptationcomparative literaturecacerías humanasinvolucióncomparación de texto a filmeadaptaciónliteratura comparadahuman huntsdevolutiontext-to-film comparisonLord of the Flies“The Most Dangerous Game”adaptationcomparative literaturecacerías humanasinvolucióncomparación de texto a filmeadaptaciónliteratura comparadaConnell’s “The Most Dangerous Game” and Golding’s Lord of the Flies, published in 1924 and 1954, respectively, rst introduced the metaphor of human hunts and they depict proto-dystopian societies where the idea of cultural progress is questioned, for individuals devolve after nding themselves subjected to the rules of a wild  environment. Movie adaptations of these literary works face the dilemma of delity because, since movies are expected to generate a signi cant income, the changes res- pond to commercial considerations, which, paradoxically, affects the reception of the film.     Las obras “The Most Dangerous Game”, de Connell, y Lord of the Flies, de Golding, publicadas en 1924 y 1954, respectivamente, fueron las primeras en introducir la metáfora de las cacerías humanas. En ellas aparecen so- ciedades protodistópicas, donde la idea del progreso cultural se cuestiona, ya que los individuos retroceden evolutivamente al encontrarse sujetos a las reglas de un ambiente salvaje. Las adaptaciones cinematográ cas de estos textos enfrentan el dilema de la delidad pues, dado que se espera que las películas generen un ingreso económico significativo, los cambios responden a consideraciones comerciales que, paradójicamente, afectan la recepción del filme.  Connell’s “The Most Dangerous Game” and Golding’s Lord of the Flies, published in 1924 and 1954, respectively, rst introduced the metaphor of human hunts and they depict proto-dystopian societies where the idea of cultural progress is questioned, for individuals devolve after nding themselves subjected to the rules of a wild  environment. Movie adaptations of these literary works face the dilemma of delity because, since movies are expected to generate a signi cant income, the changes res- pond to commercial considerations, which, paradoxically, affects the reception of the film.     Las obras “The Most Dangerous Game”, de Connell, y Lord of the Flies, de Golding, publicadas en 1924 y 1954, respectivamente, fueron las primeras en introducir la metáfora de las cacerías humanas. En ellas aparecen so- ciedades protodistópicas, donde la idea del progreso cultural se cuestiona, ya que los individuos retroceden evolutivamente al encontrarse sujetos a las reglas de un ambiente salvaje. Las adaptaciones cinematográ cas de estos textos enfrentan el dilema de la delidad pues, dado que se espera que las películas generen un ingreso económico significativo, los cambios responden a consideraciones comerciales que, paradójicamente, afectan la recepción del filme.  Escuela de Lenguas Modernas, Universidad de Costa Rica2018-01-26info:eu-repo/semantics/publishedVersionArticleArtículo evaluado por paresartículo originalhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articleapplication/pdfapplication/pdfapplication/epub+ziphttps://revistas.ucr.ac.cr/index.php/rlm/article/view/3206910.15517/rlm.v0i27.32069Journal Of Modern Languages; No. 27 (2017)Revista de Lenguas Modernas; Núm. 27 (2017)2215-56431659-193310.15517/rlm.v0i27reponame:Portal de Revistas UCRinstname:Universidad de Costa Ricainstacron:UCRspaenghttps://revistas.ucr.ac.cr/index.php/rlm/article/view/32069/31754https://revistas.ucr.ac.cr/index.php/rlm/article/view/32069/31755https://revistas.ucr.ac.cr/index.php/rlm/article/view/32069/35694acceso abiertohttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccess2020-07-23T17:44:54Zoai:portal.ucr.ac.cr:article/32069Portal de revistashttps://revistas.ucr.ac.cr/Universidadhttp://www.ucr.ac.crhttps://revistas.ucr.ac.cr/index.php/index/oaijorge.polanco@ucr.ac.crCosta RicaNo aplicaNo aplicaNo aplicaopendoar:2025-08-13T10:53:58.416Portal de Revistas UCR - Universidad de Costa Ricafalse
score 15.228081

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