The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)

The present article consists in a semiotic study of the Costa Rican painting during the decade of the seventies in the 20th century, as well as the end of the non-figuration painting, and with a special emphasis on the informalism present in “Supervivencia” (1971) from artist Lola Fernández. Methodo...

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Detalhes bibliográficos
Autor: Montero Rodríguez, Daniel Adolfo
Formato: artículo
Estado:Versión publicada
Fecha de publicación:2019
País:Costa Rica
Recursos:Universidad de Costa Rica
Repositorio:Portal de Revistas UCR
Idioma:español
OAI Identifier:oai:portal.ucr.ac.cr:article/37842
Acesso em linha:https://revistas.ucr.ac.cr/index.php/herencia/article/view/37842
Access Level:acceso abierto
Palavra-chave:semiotics
informalism
non-figuration
Costa Rican painting
Lola Fernández Caballero
semiótica
informalismo
no-figuración
pintura costarricense
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spelling The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)Última etapa del informalismo en el país con Superviviencia (1971) de Lola Fernández Caballero (1926-)Montero Rodríguez, Daniel Adolfosemioticsinformalismnon-figurationCosta Rican paintingLola Fernández Caballerosemióticainformalismono-figuraciónpintura costarricenseLola Fernández CaballeroThe present article consists in a semiotic study of the Costa Rican painting during the decade of the seventies in the 20th century, as well as the end of the non-figuration painting, and with a special emphasis on the informalism present in “Supervivencia” (1971) from artist Lola Fernández. Methodologically speaking, we turn to the semiotic analysis of the artistic text, through a gradual process of interpretation of the sign in three levels (syntactic, semantic and pragmatic). Furthermore, both notions of "informalism" and "abstract art" are conceptualized in this article using a theoretical approach. In addition, this study will refer to the socio-historical context of the I Bienal Centroamericana de Pintura (First Central American Painting Biennial), which took place in 1971. As a result of the previously stated approaches, we will be able to determine how the verdict of the Bienal propelled the Costa Rican non-figuration painting movement to come to an end. Likewise, we disclose refentialities in “Supervivencia” (1971) that were either never seen before, or were maybe omitted by the art critics of that time. Received: 02-20-2019 Approved: 03-29-2019El presente artículo consiste en un estudio semiótico de la pintura costarricense de la década de los setenta de siglo XX, sobre el proceso de finalización de la pintura no-figurativa, concretamente el informalismo de la artista Lola Fernández presente en su obra Supervivencia (1971). Metodológicamente, se acude al análisis semiótico del texto artístico, a través de un proceso gradual de interpretación del signo en tres niveles (sintáctico, semántico y pragmático). Además, como acercamiento teórico, se conceptualiza la noción de "informalismo” y “arte abstracto”. También, se refiere al contexto socio-histórico costarricense de la I Bienal Centroamericana de Pintura (1971). De esta manera, se consigue percibir como el veredicto de dicho certamen tuvo una influencia patente en el proceso de finalización de la no-figuración costarricense, asimismo, se revelan referencialidades no antes observadas, u obviadas por la crítica, en Supervivencia (1971) de esta pintora costarricense. Recibido: 20-02-2019 Aprobado: 29-03-2019Universidad de Costa Rica, Costa Rica2019-06-28info:eu-repo/semantics/publishedVersionArticleArtículoartículo originalhttp://purl.org/coar/resource_type/c_6501http://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articleapplication/pdfapplication/vnd.openxmlformats-officedocument.wordprocessingml.documenthttps://revistas.ucr.ac.cr/index.php/herencia/article/view/37842Herencia Journal; Vol. 32 No. 1 (2019); 25-50Revista Herencia; Vol. 32 Núm. 1 (2019); 25-50Herencia; Vol. 32 N.º 1 (2019); 25-502215-63561659-0066reponame:Portal de Revistas UCRinstname:Universidad de Costa Ricainstacron:UCRspahttps://revistas.ucr.ac.cr/index.php/herencia/article/view/37842/38781https://revistas.ucr.ac.cr/index.php/herencia/article/view/37842/38782acceso abiertohttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccess2021-08-06T05:33:30Zoai:portal.ucr.ac.cr:article/37842Portal de revistashttps://revistas.ucr.ac.cr/Universidadhttp://www.ucr.ac.crhttps://revistas.ucr.ac.cr/index.php/index/oaijorge.polanco@ucr.ac.crCosta RicaNo aplicaNo aplicaNo aplicaopendoar:2025-08-13T10:06:44.860Portal de Revistas UCR - Universidad de Costa Ricafalse
dc.title.none.fl_str_mv The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)
Última etapa del informalismo en el país con Superviviencia (1971) de Lola Fernández Caballero (1926-)
title The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)
spellingShingle The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)
Montero Rodríguez, Daniel Adolfo
semiotics
informalism
non-figuration
Costa Rican painting
Lola Fernández Caballero
semiótica
informalismo
no-figuración
pintura costarricense
Lola Fernández Caballero
title_short The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)
title_full The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)
title_fullStr The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)
title_full_unstemmed The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)
title_sort The last stage of informalism in Costa Rica with Superviviencia (1971) from Lola Fernández Caballero (1926-)
dc.creator.none.fl_str_mv Montero Rodríguez, Daniel Adolfo
author Montero Rodríguez, Daniel Adolfo
author_facet Montero Rodríguez, Daniel Adolfo
author_role author
dc.subject.none.fl_str_mv semiotics
informalism
non-figuration
Costa Rican painting
Lola Fernández Caballero
semiótica
informalismo
no-figuración
pintura costarricense
Lola Fernández Caballero
topic semiotics
informalism
non-figuration
Costa Rican painting
Lola Fernández Caballero
semiótica
informalismo
no-figuración
pintura costarricense
Lola Fernández Caballero
description The present article consists in a semiotic study of the Costa Rican painting during the decade of the seventies in the 20th century, as well as the end of the non-figuration painting, and with a special emphasis on the informalism present in “Supervivencia” (1971) from artist Lola Fernández. Methodologically speaking, we turn to the semiotic analysis of the artistic text, through a gradual process of interpretation of the sign in three levels (syntactic, semantic and pragmatic). Furthermore, both notions of "informalism" and "abstract art" are conceptualized in this article using a theoretical approach. In addition, this study will refer to the socio-historical context of the I Bienal Centroamericana de Pintura (First Central American Painting Biennial), which took place in 1971. As a result of the previously stated approaches, we will be able to determine how the verdict of the Bienal propelled the Costa Rican non-figuration painting movement to come to an end. Likewise, we disclose refentialities in “Supervivencia” (1971) that were either never seen before, or were maybe omitted by the art critics of that time. Received: 02-20-2019 Approved: 03-29-2019
publishDate 2019
dc.date.none.fl_str_mv 2019-06-28
dc.type.none.fl_str_mv info:eu-repo/semantics/publishedVersion
Article
Artículo
artículo original
http://purl.org/coar/resource_type/c_6501
http://purl.org/coar/resource_type/c_2df8fbb1
info:eu-repo/semantics/article
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv https://revistas.ucr.ac.cr/index.php/herencia/article/view/37842
url https://revistas.ucr.ac.cr/index.php/herencia/article/view/37842
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv https://revistas.ucr.ac.cr/index.php/herencia/article/view/37842/38781
https://revistas.ucr.ac.cr/index.php/herencia/article/view/37842/38782
dc.rights.none.fl_str_mv acceso abierto
http://purl.org/coar/access_right/c_abf2
info:eu-repo/semantics/openAccess
rights_invalid_str_mv acceso abierto
http://purl.org/coar/access_right/c_abf2
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
application/vnd.openxmlformats-officedocument.wordprocessingml.document
dc.publisher.none.fl_str_mv Universidad de Costa Rica, Costa Rica
publisher.none.fl_str_mv Universidad de Costa Rica, Costa Rica
dc.source.none.fl_str_mv Herencia Journal; Vol. 32 No. 1 (2019); 25-50
Revista Herencia; Vol. 32 Núm. 1 (2019); 25-50
Herencia; Vol. 32 N.º 1 (2019); 25-50
2215-6356
1659-0066
reponame:Portal de Revistas UCR
instname:Universidad de Costa Rica
instacron:UCR
instname_str Universidad de Costa Rica
instacron_str UCR
institution UCR
reponame_str Portal de Revistas UCR
collection Portal de Revistas UCR
repository.name.fl_str_mv Portal de Revistas UCR - Universidad de Costa Rica
repository.mail.fl_str_mv jorge.polanco@ucr.ac.cr
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score 15,812455

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