The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor
Through history, the relationship of poetry with other fine arts has been an object of numerous studies based mainly in comparative criteria. The poetic language transcends the boundaries of literature and turns into a key element to determine if the work is work of art. The form, the perception and...
| Autor: | |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2019 |
| País: | Costa Rica |
| Institución: | Universidad Nacional de Costa Rica |
| Repositorio: | Portal de Revistas UNA |
| Idioma: | español |
| OAI Identifier: | oai:ojs.www.una.ac.cr:article/12218 |
| Acceso en línea: | https://www.revistas.una.ac.cr/index.php/istmica/article/view/12218 |
| Access Level: | acceso abierto |
| Palabra clave: | Regina José Galindo, poetic language, performance in Guatemala, metaphor, emancipation Regina José Galindo, lenguaje poético, performance en Guatemala, metáfora, emancipación |
| id |
CR_af4e3bceedbf14232fed9aabdeb59bd3 |
|---|---|
| oai_identifier_str |
oai:ojs.www.una.ac.cr:article/12218 |
| network_acronym_str |
CR |
| network_name_str |
Costa Rica |
| repository_id_str |
|
| spelling |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphorLa práctica artística de Regina José Galindo: Anatomía de una metáfora emancipatoriaMartín Vodopivec, YasminRegina José Galindo, poetic language, performance in Guatemala, metaphor, emancipationRegina José Galindo, lenguaje poético, performance en Guatemala, metáfora, emancipaciónThrough history, the relationship of poetry with other fine arts has been an object of numerous studies based mainly in comparative criteria. The poetic language transcends the boundaries of literature and turns into a key element to determine if the work is work of art. The form, the perception and the execution of the performance which in its origins was linked to the representative act based on the text as an artistic form of expression, in the latinamerican context is transformed into a protest element in the social mobilizations related to the human rights’ defense. The main exponent of performance art in Guatemala, Regina José Galindo (born in 1974), started her career in the field of poetry. Her performances establish formal and functional connections with the poetic language, creating metaphors through the subject, the object and the action, that are used as a catalyzer of the message to be transmitted and create another type of reception, that goes beyond the everyday limits that circumscribe both disciplines. The performance metaphors of the artist, besides questioning the social position of women, accomplish the observer to reach through identification, the emancipatory experience in its whole.A lo largo de la historia, las relaciones de la poesía con las otras bellas artes han sido objeto de numerosos estudios basados principalmente en criterios de comparación. El lenguaje poético, trasciende las fronteras de la literatura y se convierte en un elemento clave para determinar si la obra es arte. La forma, la percepción y la ejecución de la performance, que en sus orígenes estaba ligada al acto representativo basado en el texto, como medio artístico de expresión en el contexto latinoamericano se convierte en una herramienta de denuncia en las movilizaciones sociales relativas a la defensa de los derechos humanos. El máximo exponente del arte performance en Guatemala, Regina José Galindo (nacida en 1974), comenzó su trayectoria desde el ámbito de la poesía. Sus acciones performativas establecen conexiones formales y funcionales con el lenguaje poético, creando metáforas a través del sujeto, el objeto y la acción, que sirven como catalizador del mensaje a transmitir y que provocan otro tipo de recepción, que va más allá de los límites habituales que se circunscriben a ambas disciplinas. Las metáforas performativas de la artista, además de cuestionar la posición social de la mujer, logran que el observador, a través de la identificación, alcance la plenitud de la experiencia emancipatoria.Universidad Nacional (Costa Rica)2019-07-16info:eu-repo/semantics/publishedVersionartículo originalhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articleapplication/pdftext/htmlapplication/epub+ziphttps://www.revistas.una.ac.cr/index.php/istmica/article/view/1221810.15359/istmica.24.6ÍSTMICA. Revista de la Facultad de Filosofía y Letras; Núm. 24 (2019): Migraciones linguístico-literarias en Centroamérica y el Caribe; 95-1122215-471X1023-0890reponame:Portal de Revistas UNAinstname:Universidad Nacional de Costa Ricainstacron:UNAspahttps://www.revistas.una.ac.cr/index.php/istmica/article/view/12218/17055https://www.revistas.una.ac.cr/index.php/istmica/article/view/12218/17056https://www.revistas.una.ac.cr/index.php/istmica/article/view/12218/17057acceso abiertohttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccess2019-11-07T19:03:20Zoai:ojs.www.una.ac.cr:article/12218Portal de revistashttp://revistas.una.ac.cr/Universidadhttp://www.una.ac.crhttps://revistas.una.ac.cr/index.php/index/oaiandrea.mora.campos@una.crCosta RicaNo aplicaNo aplicaNo aplicaopendoar:2019-11-07T19:03:20Portal de Revistas UNA - Universidad Nacional de Costa Ricafalse |
| dc.title.none.fl_str_mv |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor La práctica artística de Regina José Galindo: Anatomía de una metáfora emancipatoria |
| title |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor |
| spellingShingle |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor Martín Vodopivec, Yasmin Regina José Galindo, poetic language, performance in Guatemala, metaphor, emancipation Regina José Galindo, lenguaje poético, performance en Guatemala, metáfora, emancipación |
| title_short |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor |
| title_full |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor |
| title_fullStr |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor |
| title_full_unstemmed |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor |
| title_sort |
The artistic practice of Regina José Galindo: Anatomy of an emancipatory metaphor |
| dc.creator.none.fl_str_mv |
Martín Vodopivec, Yasmin |
| author |
Martín Vodopivec, Yasmin |
| author_facet |
Martín Vodopivec, Yasmin |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Regina José Galindo, poetic language, performance in Guatemala, metaphor, emancipation Regina José Galindo, lenguaje poético, performance en Guatemala, metáfora, emancipación |
| topic |
Regina José Galindo, poetic language, performance in Guatemala, metaphor, emancipation Regina José Galindo, lenguaje poético, performance en Guatemala, metáfora, emancipación |
| description |
Through history, the relationship of poetry with other fine arts has been an object of numerous studies based mainly in comparative criteria. The poetic language transcends the boundaries of literature and turns into a key element to determine if the work is work of art. The form, the perception and the execution of the performance which in its origins was linked to the representative act based on the text as an artistic form of expression, in the latinamerican context is transformed into a protest element in the social mobilizations related to the human rights’ defense. The main exponent of performance art in Guatemala, Regina José Galindo (born in 1974), started her career in the field of poetry. Her performances establish formal and functional connections with the poetic language, creating metaphors through the subject, the object and the action, that are used as a catalyzer of the message to be transmitted and create another type of reception, that goes beyond the everyday limits that circumscribe both disciplines. The performance metaphors of the artist, besides questioning the social position of women, accomplish the observer to reach through identification, the emancipatory experience in its whole. |
| publishDate |
2019 |
| dc.date.none.fl_str_mv |
2019-07-16 |
| dc.type.none.fl_str_mv |
info:eu-repo/semantics/publishedVersion artículo original http://purl.org/coar/resource_type/c_2df8fbb1 info:eu-repo/semantics/article |
| format |
article |
| status_str |
publishedVersion |
| dc.identifier.none.fl_str_mv |
https://www.revistas.una.ac.cr/index.php/istmica/article/view/12218 10.15359/istmica.24.6 |
| url |
https://www.revistas.una.ac.cr/index.php/istmica/article/view/12218 |
| identifier_str_mv |
10.15359/istmica.24.6 |
| dc.language.none.fl_str_mv |
spa |
| language |
spa |
| dc.relation.none.fl_str_mv |
https://www.revistas.una.ac.cr/index.php/istmica/article/view/12218/17055 https://www.revistas.una.ac.cr/index.php/istmica/article/view/12218/17056 https://www.revistas.una.ac.cr/index.php/istmica/article/view/12218/17057 |
| dc.rights.none.fl_str_mv |
acceso abierto http://purl.org/coar/access_right/c_abf2 info:eu-repo/semantics/openAccess |
| rights_invalid_str_mv |
acceso abierto http://purl.org/coar/access_right/c_abf2 |
| eu_rights_str_mv |
openAccess |
| dc.format.none.fl_str_mv |
application/pdf text/html application/epub+zip |
| dc.publisher.none.fl_str_mv |
Universidad Nacional (Costa Rica) |
| publisher.none.fl_str_mv |
Universidad Nacional (Costa Rica) |
| dc.source.none.fl_str_mv |
ÍSTMICA. Revista de la Facultad de Filosofía y Letras; Núm. 24 (2019): Migraciones linguístico-literarias en Centroamérica y el Caribe; 95-112 2215-471X 1023-0890 reponame:Portal de Revistas UNA instname:Universidad Nacional de Costa Rica instacron:UNA |
| instname_str |
Universidad Nacional de Costa Rica |
| instacron_str |
UNA |
| institution |
UNA |
| reponame_str |
Portal de Revistas UNA |
| collection |
Portal de Revistas UNA |
| repository.name.fl_str_mv |
Portal de Revistas UNA - Universidad Nacional de Costa Rica |
| repository.mail.fl_str_mv |
andrea.mora.campos@una.cr |
| _version_ |
1849325701012914176 |
| score |
15,228081 |