Museo a todo pedal: Calle 26
This paper reviews the urban project “MUSEO A TODO PEDAL: CALLE 26” held to promote awareness and critical appropriation of the sculptural heritage of Avenida El Dorado in Bogota, Colombia. The urban project began in October 2014 with a series of activities including the official launch of the Guide...
| Autores: | , |
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| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2015 |
| País: | Costa Rica |
| Institución: | Universidad de Costa Rica |
| Repositorio: | Portal de Revistas UCR |
| Idioma: | español |
| OAI Identifier: | oai:portal.ucr.ac.cr:article/22263 |
| Acceso en línea: | https://revistas.ucr.ac.cr/index.php/revistarquis/article/view/22263 |
| Access Level: | acceso abierto |
| Palabra clave: | Bogotá bicycling city cultural tourism sustainable tourism heritage ciclismo ciudad turismo cultural turismo sostenible patrimonio |
| Sumario: | This paper reviews the urban project “MUSEO A TODO PEDAL: CALLE 26” held to promote awareness and critical appropriation of the sculptural heritage of Avenida El Dorado in Bogota, Colombia. The urban project began in October 2014 with a series of activities including the official launch of the Guide on Monuments and Sites and the organization of a watching cycling road race. RevistArquis is honored to publish this project in dialogue with the essay by the same author published in Vol. 1 (2015) Number 07 “Usos Cotidianos y Populares de la Bicicleta en Bogotá”. |
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