From “the Street” to the Academy
This article reflects on inclusivity in university music schools Objective: It aims to highlight the problem of discrimination in the competition process for auditions for the admission to bachelor’s and bachelor’s degree programs in music education. Method: The experience of a teacher and a 38-year...
| Autores: | , |
|---|---|
| Tipo de recurso: | artículo |
| Estado: | Versión publicada |
| Fecha de publicación: | 2025 |
| País: | Costa Rica |
| Institución: | Universidad Estatal a Distancia |
| Repositorio: | Portal de Revistas UNED |
| Idioma: | español |
| OAI Identifier: | oai:revistas.investiga.uned.ac.cr:article/5677 |
| Acceso en línea: | https://revistas.uned.ac.cr/index.php/rupturas/article/view/5677 |
| Access Level: | acceso abierto |
| Palabra clave: | percussion gig academy pop music university school of music conservatory percusión chivo academia música popular universidad escuela de música conservatorio |
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From “the Street” to the AcademyDe “la calle” a la academiaAlvarado Hernández, RicardoDelgado Sánchez, Mauriciopercussiongigacademypop musicuniversityschool of musicconservatorypercusiónchivoacademiamúsica popularuniversidadescuela de músicaconservatorioThis article reflects on inclusivity in university music schools Objective: It aims to highlight the problem of discrimination in the competition process for auditions for the admission to bachelor’s and bachelor’s degree programs in music education. Method: The experience of a teacher and a 38-year-old student, who enters the Pre-University Program of the School of Musical Arts of the University of Costa Rica with little previous knowledge of formal music theory, is used. Results: The results show positive feedback for both the student and the teacher, demystifying various myths about the subject. Conclusions: It is concluded that many popular music professionals have not had access to obtaining an academic degreeEste artículo reflexiona sobre la inclusividad en las escuelas de música universitarias. Objetivo: Pretende destacar el problema de discriminación en el proceso de concurso a audiciones de ingreso a planes de bachillerato y licenciatura en educación musical. Método: Se utiliza la experiencia de un docente y un estudiante de 38 años, quien ingresa al Programa Preuniversitario de la Escuela de Artes Musicales de la Universidad de Costa Rica con pocos conocimientos previos en teórica musical formal. Resultados: Los resultados muestran una retroalimentación positiva tanto para el estudiante como para el profesor, desmitificando diversos mitos sobre el tema. Conclusiones: Se concluye que muchos profesionales de la música popular no han tenido acceso a la obtención de un título académico.Centro de Investigación en Cultura y Desarrollo (CICDE)2025-01-31info:eu-repo/semantics/publishedVersionartículo originalhttp://purl.org/coar/resource_type/c_2df8fbb1info:eu-repo/semantics/articleapplication/pdfapplication/vnd.oasis.opendocument.texthttps://revistas.uned.ac.cr/index.php/rupturas/article/view/567710.22458/rr.v15i1.5677Revista Rupturas; Vol. 15, Num. 1 (Enero-Junio); 1-14Revista Rupturas; Vol. 15, Num. 1 (Enero-Junio); 1-14Revista Rupturas; Vol. 15, Num. 1 (Enero-Junio); 1-142215-24662215-298910.22458/rr.v15i1reponame:Portal de Revistas UNEDinstname:Universidad Estatal a Distanciainstacron:UNEDspahttps://revistas.uned.ac.cr/index.php/rupturas/article/view/5677/8173https://revistas.uned.ac.cr/index.php/rupturas/article/view/5677/8174https://creativecommons.org/licenses/by-nc-sa/4.0acceso abiertohttp://purl.org/coar/access_right/c_abf2info:eu-repo/semantics/openAccess2025-02-17T15:21:49Zoai:revistas.investiga.uned.ac.cr:article/5677Universidadhttp://www.uned.ac.crhttps://revistas.uned.ac.cr/index.php/index/oaissegura@uned.ac.crCosta RicaNo aplicaNo aplicaNo aplicaopendoar:02025-06-01T11:00:04.151Portal de Revistas UNED - Universidad Estatal a Distanciafalse |
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From “the Street” to the Academy De “la calle” a la academia |
| title |
From “the Street” to the Academy |
| spellingShingle |
From “the Street” to the Academy Alvarado Hernández, Ricardo percussion gig academy pop music university school of music conservatory percusión chivo academia música popular universidad escuela de música conservatorio |
| title_short |
From “the Street” to the Academy |
| title_full |
From “the Street” to the Academy |
| title_fullStr |
From “the Street” to the Academy |
| title_full_unstemmed |
From “the Street” to the Academy |
| title_sort |
From “the Street” to the Academy |
| dc.creator.none.fl_str_mv |
Alvarado Hernández, Ricardo Delgado Sánchez, Mauricio |
| author |
Alvarado Hernández, Ricardo |
| author_facet |
Alvarado Hernández, Ricardo Delgado Sánchez, Mauricio |
| author_role |
author |
| author2 |
Delgado Sánchez, Mauricio |
| author2_role |
author |
| dc.subject.none.fl_str_mv |
percussion gig academy pop music university school of music conservatory percusión chivo academia música popular universidad escuela de música conservatorio |
| topic |
percussion gig academy pop music university school of music conservatory percusión chivo academia música popular universidad escuela de música conservatorio |
| description |
This article reflects on inclusivity in university music schools Objective: It aims to highlight the problem of discrimination in the competition process for auditions for the admission to bachelor’s and bachelor’s degree programs in music education. Method: The experience of a teacher and a 38-year-old student, who enters the Pre-University Program of the School of Musical Arts of the University of Costa Rica with little previous knowledge of formal music theory, is used. Results: The results show positive feedback for both the student and the teacher, demystifying various myths about the subject. Conclusions: It is concluded that many popular music professionals have not had access to obtaining an academic degree |
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2025 |
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2025-01-31 |
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info:eu-repo/semantics/publishedVersion artículo original http://purl.org/coar/resource_type/c_2df8fbb1 info:eu-repo/semantics/article |
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article |
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https://revistas.uned.ac.cr/index.php/rupturas/article/view/5677 10.22458/rr.v15i1.5677 |
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https://revistas.uned.ac.cr/index.php/rupturas/article/view/5677 |
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10.22458/rr.v15i1.5677 |
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spa |
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https://revistas.uned.ac.cr/index.php/rupturas/article/view/5677/8173 https://revistas.uned.ac.cr/index.php/rupturas/article/view/5677/8174 |
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https://creativecommons.org/licenses/by-nc-sa/4.0 acceso abierto http://purl.org/coar/access_right/c_abf2 info:eu-repo/semantics/openAccess |
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application/pdf application/vnd.oasis.opendocument.text |
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Centro de Investigación en Cultura y Desarrollo (CICDE) |
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Centro de Investigación en Cultura y Desarrollo (CICDE) |
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Revista Rupturas; Vol. 15, Num. 1 (Enero-Junio); 1-14 Revista Rupturas; Vol. 15, Num. 1 (Enero-Junio); 1-14 Revista Rupturas; Vol. 15, Num. 1 (Enero-Junio); 1-14 2215-2466 2215-2989 10.22458/rr.v15i1 reponame:Portal de Revistas UNED instname:Universidad Estatal a Distancia instacron:UNED |
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Portal de Revistas UNED - Universidad Estatal a Distancia |
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